skillshare – brooklyn spaces

pioneer works

oriana on 15 May ’14

space type: nonprofit, skillshare, gallery | neighborhood: red hook | active since: 2012 | links: website, facebook, twitter, wikipedia

Pioneer Works is huge. It’s around 27,000 square feet with 40-foot ceilings, which is just truly, absolutely enormous. The building dates back all the way to 1866, and for more than a century was home to Pioneer Iron Works, one of the largest machine manufacturers in the country.

Prominent Brooklyn artist Dustin Yellin bough the building in 2010. As he told the New York Times, “My crazy dream is to create a kind of utopian art center.” And Pioneer Works is something pretty close to that dream. The nonprofit has several elements, including a massive exhibition gallery and event space (one of the biggest in the city), classes and workshops, a science lab with a powerful photographic microscope, artist residencies, institutional residencies (currently the Clocktower Gallery), a radio show, and a modern art periodical called Intercourse Magazine.

all photos by Maximus Comissar

The events range from open studios to lectures (“How to Fake Your Own Death” is popular and recurring), from Hackathons to concerts, with musical acts like Spiritualized, Ariel Pink, and Omar Souleyman. And the classes are equally varied—some recent examples include “Physical Storytelling,” “The Alchemy of Light,” “From Tesla to the Transistor,” “Homebrew Kimchi,” “NY Theremin Society Workshop,” and “Lock-Picking and Open-Source Security.”

So get out to Red Hook and learn something! But first read the Q&A with David, Pioneer Works’ Director of Education.

brooklyn spaces: Tell me a bit about the history of this building.
David: Okay! I know this because we had a Red Hook history class here recently. It was built in 1866, then in 1871 it burned down, and it was rebuilt in 1872. It was originally Pioneer Iron Works, one of the biggest iron works in the country. After that it was a tobacco-drying warehouse. Then they were doing something manufacturing until the 1950s; whatever they were making was super heavy, so they had this system to move it all around in here, and rollers set into the floor to roll it out the door. And then since the 1960s it was used to store financial records. When Dustin bought it, there was no heat, no running water, minimal electricity. The windows were all bricked up, the floors were wrecked, the staircases were terrifying. It took about a year of heavy work to get it into shape.

brooklyn spaces: I love that uniquely artist vision of walking into a completely decrepit space and saying, “I can see what this is going to be.” It’s like that quote about sculptors, how they look for the piece within the marble and then let it out.
David: Exactly. Dustin was like, “All right, this building is my next piece of art.”

Dustin Yellin sculpture

brooklyn space: How did you become involved?
David: I was teaching high school and really wanted to quit, so when Dustin presented me the opportunity to start a teaching program here, I thought I’d give it a shot. So we started, and it went really well in the summer, and then it went really well in the fall, and then Hurricane Sandy happened, and it just totally knocked us out. This whole building was like shoulder-deep in water. We tried to keep doing classes even though we had very little power and no heat—I bubbled in the classroom, like in ET, just encased it in plastic curtains, and we put in as many heaters as we could without blowing the circuits, but it was still so, so cold. We didn’t get heat until March, so that’s when we finally started doing classes again. Since then, we’ve just been growing and growing and growing.

brooklyn spaces: How would you classify the different kinds of classes offered here?
David: They’re pretty different, but it’s basically stuff that’s either really new or really old. We do cutting-edge stuff like microcontrollers and 3D printing and upgrading the firmware in your camera; those are for artists, designers, software developers, to demystify the process of new technologies that everyone wants to know how to use. And then we do old stuff, like paper marbling, or wet-plate or tintype photography, which is Civil War era. It’s to a similar aim as the newer stuff: giving artists a new vocabulary and a specialized practice.

brooklyn spaces: Do you come up with an idea for a class and then go out and find a teacher? Or do people bring you ideas?
David: Both. The lock-picking class, which is super popular, came about because I saw a lock-picking tent at Maker Faire—although tracking down someone who picks locks for a living was really hard. Then on the other hand, a woman came by the other day who wants to do a bread-baking class. We were like, “But we have no ovens, we have no flat surfaces, we don’t have anything.” And she was like, “It’s okay, we can make it work. How about we cook the bread on sticks over a fire?” We’ll try basically anything if it seems cool and the teacher seems competent.

brooklyn spaces: There seems to be a strong movement in Brooklyn for these kinds of classes and skillshares, as evidenced by the extreme popularity of places like 3rd Ward and Brooklyn Brainery. Why do you think that is? Do people just want to have more hobbies?
David: I think it’s deeper than that. Demystifying processes is so enabling. There’s a huge movement of open-source hardware and software in the tech world, and I think part of that is because we’re so controlled by the companies that make the technology we use. The fact that you can’t just open an iPhone and replace the battery is a conscious choice on their part. It’s not because oh you might do it wrong; it’s to keep you under their control. The open-source movement puts the power back in the hands of the individuals, and I think people are used to that idea now, so by applying that model to education, we’re unlocking it a bit. And I think it’s going to continue to grow.

brooklyn spaces: With so many choices, do you think they’re beginning to overlap? What makes Pioneer Works’ offerings unique?
David: I mean, maybe there’s some overlap with what 3rd Ward was doing, but we have something that they didn’t have.
brooklyn spaces: Integrity?
David: Oh yeah, well there’s that. But also we’re a nonprofit and they were a for-profit, which makes a huge difference. We’re an arts institution; it’s just a very different kind of space. Plus we have the nicest building. Once people come here once, it’s not hard to get them to come back.

brooklyn spaces: Do you think being in Red Hook has had an influence on how the space has developed?
David: Sure. There’s such a strong community here, and a real neighborhood feel, like I’ve never experienced anywhere else in New York. We’re trying to find ways to use this space as more of a community center. At the end of April we did a twenty-four-hour hackathon that was Red Hook themed. Business owners from the neighborhood gave us challenges, and all the tech people competed to make apps to address those issues. Pizza Moto catered the event. I love those guys—after the flood they came down to Van Brunt Street when nobody had any power and just started cooking pizzas for free, out on the street under the police lights.

brooklyn spaces: What are some of your future goals for the space?
David: We’re building a lot of relationships with terrific groups like Invisible Dog and Generally Assembly and Fractured Atlas. We don’t know what we’re going to do with them yet, but we’re kicking around ideas. We’re also starting to collaborate in a bunch of ways with Brooklyn Museum, which is perfect because they want to be linked to a gallery and we want to be linked to an institution. Obviously we don’t want to be a museum, but the way they’re organized and the integrity they have, I think it’s a really great model for us.

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Like this? Read about more skillshares: Brooklyn Brainery, Exapno, Time’s Up, Ger-Nis Culinary Center, Lifelabs, UrbanGlass, 3rd Ward

exapno (metropolitan exchange building)

oriana on 14 Oct ’13

neighborhood: downtown brooklyn | space type: music coworking | open since: 2010 | links: website, facebook, twitter

Founded by husband-and-wife composers Lainie and Jascha, Exapno is a coworking space for the musically minded. For a very low monthly fee, musicians (primarily “new music” composers) can rent desk space, giving them a quiet place to work on their music, network with other musicians, and give and attend performances. It’s built on the concept of a writers’ space, inspired by Paragraph in Manhattan, where Jascha was once a member.

Qubit performing; photo by Lainie

Interestingly, Exapno is just one of myriad small businesses currently residing in the fascinating Metropolitan Exchange building. The massive MEx—a 45k-square-foot, seven-floor former bank—is owned by designer Al Attara, who is striving to make it a creative startup hive. Attara has owned the building for more than three decades, but for years it was on the city’s “urban renewal” chopping block, meaning that it could be reclaimed and torn down at any time. About six years ago the building came off the list, and since then Attara has invited in a wide universe of creatives, from avant-garde furniture designers RockPaperRobot to bio research lab Genspace. The sixth floor is all architects; the fifth floor has several food importers, from chocolate to tea to fish; and the fourth floor is media-oriented, with groups like Seed Magazine and Good News Planet, a website that only prints good news. (To read more about MEx, check out this New York Times piece from back in 2011.)

MEx fifth floor, photo by Maximus Comissar

Working within this amazingly diverse community of creative entrepreneurs, Exapno is thriving—as much as it can. With a cap of around 20 musicians monthly, and restrictions such as the inability to leave instruments overnight or to put up walls or soundproofing, Exapno may have reached its growth capacity. Ultimately they may relocate to a space where they can have more control and freedom, but in the meantime they’re happily staying put. Exapno, a 501(c)3 nonprofit, is always seeking donations, and the group is open to new members—find out more on their site. But first, read my Q&A with cofounder Jascha and musician member James.

Jascha & James on left, photo by Maximus Comissar

brooklyn spaces: What does Exapno mean?
Jascha: My wife Lainie is a huge Marx Brothers fan, Harpo in particular. In his biography, Harpo talks about how when he toured Russia in the ’30s, he would see posters advertising his show, with his name written in Cyrillic, and it looked like “Exapno Mapcase.” I think we’ve only ever run into one other person who got the reference.

brooklyn spaces: How did the space get started?
Jascha: Since at least the early 2000s, Lainie had been wanting to create a performance space that was cheap to rent out, and that could function as a community nexus, a meeting place for young musicians, a way to get into the scene. Eventually we met Al, the wonderful man who owns this building. He’s incredible; instead of turning this place into condos or office space and making millions of dollars, he has filled this sort of ramshackle building with startups and indie businesses and nonprofits, just because that’s what he believes in. Anyway, Al agreed to rent us the space for whatever we could pay, so it’s sort of by his good graces that we’re here at all.

Wet Ink, photo by Lainie

brooklyn spaces: What’s it like being a member here?
James: It’s an amazing resource and access to a great community. All musicians needs space where they can make noise or quietly write music that will one day become noise, and it’s awesome to be able to get that for such a low monthly fee.

photo by Maximus Comissar

brooklyn spaces: What connects all the members? Does everyone write or make a similar kind of music?
Jascha: We rapidly discovered that with a really cheap rehearsal space, we had to find artful ways to deflect requests from garage bands or that sort of thing. That’s what’s nice about “new music”: occasionally it’s a little loud, but usually it’s like a string quartet, or a vibraphone and singer. It’s much more manageable in terms of neighbors.
James: It’s somewhat self-selecting. You can’t leave equipment here, you can’t make a lot of loud noise, so that disqualifies, say, a punk band that wants someplace to rehearse every night. Plus almost everyone I know in the “new music” community tends to be project-oriented, as opposed to in a definitive group. Which is why a resource like this is so important: we don’t have a whole band where each member can pitch in $20 a month for a space.
Jascha: There are a lot of things about music and musicians that are really quite antisocial—making lots of strange noise, leaving stuff everywhere, taking up lots of space with pianos and drum kits—so we’ve had to modify things. There’s a lot more we could be doing if we had a space we could control, but then we’d have to pay an awful lot of money. And actually, it feels like the people who mainly used the space two or three years ago are starting to move on to other things. Now I feel like the people who need the space are people we don’t know, so we need to work on getting the word out.
James: I’ve noticed a lot of new younger composers here. Suddenly there’s this new generation of really positive, spirited people doing all sorts of weird stuff, and a lot of it’s happening here.

String Noise, photo by Lainie

brooklyn spaces: Do you have any famous alumni?
Jascha: Within the modest world of the New York new music scene, sure. Dither is quite well known; they’ve been around for years and get props from major composers. They do an event every year called the Dither Extravaganza [this year’s is on October 26th, at the Gowanus Loft]. Our artistic advisory board also has some heavy hitters in it, like Morton Subotnick and Paul Lanksy.

brooklyn spaces: What’s your relationship to the neighborhood?
Jascha: The location is awesome, it’s a great hub for music. Brooklyn Academy of Music has been here forever, and recently two major venues moved in around the corner: Roulette and ISSUE Project Room. But we’re proud to say we beat them here.

Sweat Lodge, photo by Lainie

brooklyn spaces: What are your thoughts on being an artist in Brooklyn these days?
Jascha: Well, when we started this space, Lainie and I were living in Chelsea, but most of our music friends lived in Brooklyn, and increasingly the concerts we were going to were in Brooklyn too. The center of gravity for our scene—and so many other artistic scenes—has been shifting here more and more. Brooklyn is incredible right now; there’s just so much creative activity here.

Exapno rooftop, photo by Maximus Comissar

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Like this? Read about other coworking and skillshare spaces: Time’s Up, Pioneer Works, Bushwick Print Lab, Arch P&D, Urbanglass, 3rd Ward, Brooklyn Lyceum, No-Space

time’s up

oriana on 10 Mar ’13

neighborhood: williamsburg | space type: community space, skillshare, activism | active since: 1987 | links: website, wikipedia, facebook, twitter, flickr

Environmental-activism nonprofit Time’s Up is actually one of the very first spaces I profiled when I started this project. (Read the original post here!) But that was two whole years ago, and more importantly, I just got a new (used) bike of my own from these guys, so I wanted to remind everybody how wonderful they are. They’ve also got all sorts of new initiatives and fun things in the works, so it seemed like a great time to revisit.

open workshop, pic by Eilon Paz

Time’s Up is a volunteer-run direct-action environmental group. Their most visible project is the bike co-op, which does three main things: 1) acquires, refurbishes, and sets people up with terrific, city-friendly used bikes (like mine!) for a donation of about $200; 2) leads bike repair workshops, teaching you how to fix all the different parts of your bike, including one class per week that’s for women and trans only; and 3) opens their doors three nights a week to anyone who wants to use their vast array of tools and talk to their incredibly knowledgeable mechanics while working on your own bike. (Check their calendar for dates and times.) They also hold lots of group bike rides and work on campaigns to support causes like anti-fracking, alternative energy, and safer streets, and they’re working to turn the space into a community gathering spot, with new plans like a bi-weekly movie night.

Read on for my Q&A with Keegan, one of the bottom-liners of the bike co-op and the guy who sold me my fabulous new bike!

Keegan fixing a bike, pic by me

brooklyn spaces: How would you define the Time’s Up mission?
Keegan: At heart we’re an environmental group, and because we’re in New York City, that means trying to find sustainable ways to live in an urban environment. Bike activism is a big part of it, because bicycling is sustainable transportation, and we want to make it so that everyone feels comfortable biking in the city. That means creating safe spaces, like bike lanes, but there’s always going to be a place where the bike lane ends, so we really need the streets to be safer in general. The NYPD needs to be ticketing motorists, and when cyclists and pedestrians are killed, they need to be doing proper investigations. We’re having a ride to advocate for this on March 21—everyone should come join us!

soooo many bikes! pic by me

brooklyn spaces: Where do you get the bikes you refurbish?
Keegan: We buy them in bulk, these Dutch-style Japanese bikes called mamacharis, which means “mother chariot.” They’re terrific city-friendly bikes. They’re upright, with full fenders so you can ride them in any weather, and really good brakes so they’re safe. Basically everybody rides mamacharis in Japan, they’re hugely popular. The government actually tried to ban them, because they thought it was too dangerous for women to be riding with a child on the front and a child on the back and all the groceries too. But the women of Japan rose up to defend their bicycles, and they won, the mamachari didn’t get banned.

shipment of used bikes, pix by Steve McMaster

brooklyn spaces: Tell me about some of the group rides you guys do.
Keegan: We have a monthly moonlight ride through Central Park and another in Prospect Park, there’s a Peace Ride that goes through various peace sites in Lower Manhattan, and we have some goofy theatrical rides, which are also direct actions, like we dress up as clowns and call ourselves the Bike Lane Liberation Front. We crash into the back of cars, like “Oh hey, what are you doing in this bike lane?” and give out fake tickets, stuff like that.

group ride, pic by Rich Johnson

brooklyn spaces: Are you guys part of Critical Mass?
Keegan: Critical Mass is leaderless and worldwide, but we used to help facilitate it in New York a lot, often just by showing up. Sadly, that ride has gotten smaller and smaller due to a massive police crackdown. It’s the same reason they shut down Occupy Wall Street: they don’t want to look like they’re allowing a political demonstration. This last month there were four riders and fourteen police vehicles! So now we do First Friday rides instead—those get forty or fifty people and zero police.

fixin’ bikes, pic by Eilon Paz

brooklyn spaces: How many people are involved in Time’s Up?
Keegan: Our volunteer base is pretty huge, we have about fifteen hundred people. It’s a big, amorphous, fun group. It’s also very much a community.

brooklyn spaces: Do people come here and say “I have a wacky bike idea, can you help?”
Keegan: Oh yeah, ever since Occupy Wall Street, when we built energy-generating bikes to offset the gas generators in Zucotti Park.

energy bikes in Zucotti Park, pic by David Shankbone

brooklyn spaces: You guys used those after Sandy too, right?
Keegan: Yeah, although the bikes that were in Zuccotti were taken by the NYPD and mostly broken. We had three up and running when Sandy hit, and we deployed them right away, on the Lower East Side. When the LES got power back we took them to the Rockaways. We were also doing group rides out there three times a week, delivering goods. Through Occupy Sandy, we got funding to build fifteen more energy bikes, and some of them are still in the Rockaways. The People’s Free Medical Clinic is using two of them instead of getting hooked back up to the grid.

energy bike in the LES, post-Sandy, pic by Margot Julia DiGregorio

brooklyn spaces: How did Time’s Up end up in Williamsburg?
Keegan: We used to be at 49 East Houston St., and we got kicked out of there when the owner sold it to a developer. We were scrounging around for space and we did a direct action in Williamsburg when the Bedford Ave bike lane was taken out, a mock funeral for the lane. We got quite a bit of press for that, and the landlord here, Baruch Herzfeld, who’s a pretty dramatic and funny bike advocate himself, really liked what we were doing. This space was actually previously a bike shop, and he let us move in and take it over.

bike forks, pic by me

brooklyn spaces: Do you feel that being in Williamsburg has had an affect on the space, the mission, the way it’s run, that sort of thing?
Keegan: Definitely. Being here dictated so much of what we did for the first couple of years, because we’re right on the borderline between Chasidic Williamsburg and hipster Williamsburg. When we opened the co-op, we had a shocking number of Chasidic people coming in to fix their bikes, both men and women. It’s really interesting to see them come here and work alongside a bunch of hipsters who obviously have very different values, and then they find out that they’re really not so different: they all want to work on their bikes, they all want to live cheaply and sustainably.

tools! pic by me

brooklyn spaces: Tell me a nice fond memory you have from your time here.
Keegan: It’s all pretty good. After every single workshop I’m like, “Wow, that was great!” I just helped this guy fix his bike who does the programming for the tiny theatre down the block, Spectacle. I also got to help a woman who had been hit by a car. It’s just so much great community building; we all become friends by the end of the night. Every workshop is a terrific experience.

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Like this? Read more about community spaces: No-Space, Trees Not Trash, Bushwick City Farms, Brooklyn Free Store, The Illuminator, Occupy Wall Street art show, Books Through Bars

brooklyn brainery

oriana on 12 Sep ’11

space type: skillshare | neighborhood: prospect heights | active since: 2010 | links: website, tumblr, facebook, twitter

Update: The Brainery moved! They got a sweet new space in Prospect Heights which opened in early 2013.

Brooklynites are lots of things. We’re partiers, we’re makers, we’re performers and rock stars and artists. We’re also, maybe most importantly, collaborators. We love to share our knowledge with each other, so naturally skillshare and the “quirky education” movements are huge. There’s lecture series like OCD at Pete’s Candy Store, Nerd Nite and Get Smart at Galapagos, the Secret Science Club, Adult Ed, and everything at the Observatory; plus groups that are dedicated exclusively to hobbyists and experts and those who want to learn from them, like LifeLabs, Brooklyn Skillshare, TradeSchool, 3rd Ward, and, of course, the Brooklyn Brainery.

What Dickens Drank: Historic Cocktails

The Brainery has been getting a lot of press lately—from places like the New York Times, Brooklyn Based, GOOD, and Brokelyn—and deservedly so. It’s a perfectly wonderful idea: pair people who are passionate about a topic—anything from urban forestry to microwave candy to beekeeping to Haitian Creole—with an audience who wants to learn about it. Plus (and very importantly these days) classes at the Brainery are super cheap, as low as $5 for an evening’s worth of learnin’. That’s what I paid for The History of the New York City Subway, an interactive lecture that included tons of fun facts, passed-around books with photos of old train cars and subway graffiti, and of course YouTube clips of subway scenes from Saturday Night Fever and The Warriors. That was my first Brainery class, and I plan to take a whole lot more. You should too; it would be impossible to look through their course list and not see something you find fascinating. But before you click over, check out my interview with Brainery founders Jen and Soma, who happen to be some of the nicest, most animated, funniest people I’ve interviewed yet.

[all pix courtesy of the Brainery]

Designing for Non-Designers

brooklyn spaces: Give me a quick history of how this got started and why.
Jen: I think one of the reasons we started this was to give us an excuse to learn more and research more. Soma and I are both just really curious; we had been going to all these classes and lectures, and it just started getting really expensive.

DIY Sandle-Making

Soma: We were going broke, basically. When you drop $300 on a class, there’s only so many times you can do that before you can’t pay rent.
brooklyn spaces: Yeah, I would say one time.
Jen: I guess we were richer back then.
Soma: What amazing days! So we decided that there had to be a way to offer classes more cheaply. We wanted to take classes on things like welding or shoemaking, but I mean, we’re not planning to become welders or cobblers, we just want to have a fun hobby or learn a little bit about something. And we realized that if you find people who are hobbyists at something—and really, in Brooklyn you can find an expert on anything—they love sharing it with other people. Basically the idea is that anyone can take a class, because it’s super cheap and accessible, and anyone can teach a class, because we all have a teacher hiding somewhere inside of us.

Ethiopian Cookfest

brooklyn spaces: Did you have this space from the start? How did that come about?
Jen: No, for the first year we rented space by the hour at Gowanus Studio Space, just across the canal by the Bell House. They were great, but we really needed a place we could settle into.
Soma: So we raised about $10k on Kickstarter and then spent a long time hunting for a space, because it turns out that in New York, finding a space is probably harder than finding ten grand. But eventually we moved in here, and it’s been great ever since.

Scents & Sensibility

brooklyn spaces: What were some of the earliest classes?
Soma: Man, I taught so many classes, I don’t even know. I think in the beginning I was teaching half the classes. It’s always been the same eccentric mix of stuff that we have now. We had a class about optics, a class about meat, a class about perfume.

brooklyn spaces: So what unites the class offerings?
Soma: It doesn’t matter what the subject is, but we really want everything to be collaborative. Everyone should be talking and it should be fun.
Jen: We don’t want people to be afraid to challenge the teacher or ask a question. People are still sort of in the mindset from college or whatever of like, up there is the person who knows everything and they are transmitting the information to you. But at this point in our lives, there’s no need to do that anymore.

setup for Making Ginger Ale

brooklyn spaces: What’s your background, are either of you teachers?
Soma: Absolutely not. Well, now we are. But no. I have a background in computer science, and Jen has a background in art.

extracting DNA from a strawberry

brooklyn spaces: What are some awesome classes that you’ve taught or taken?
Soma: My favorite class that Jen taught was her weather class. It turned out that the class was full of scientists. Everyone was a scientist, and they did their homework and knew all kinds of stuff and it was amazing. It was like a crystallization of what the Brainery could be in an alternate universe, where everyone in the class is already an expert. And I don’t even know, my favorite class to teach? I teach so much that I forget everything. I teach classes across the board, I teach Thai food and programming and the science of perception, just everything. I love every class I take, too. I will come to any class and be completely riveted by it. I can’t pick a favorite.

Spices 101

brooklyn spaces: How do decide what classes to offer?
Soma: People submit like crazy. We used to recruit people, but now people are always contacting us.
Jen: We’re always looking for new teachers. If anyone has anything they want to teach, tell us!

Soma at the Crawfish Boil

brooklyn spaces: Do you guys do events also?
Jen: Not as many as we’d like, but we had a big crawfish boil at the City Reliquary over the summer. We tried to make it educational, so we did trivia and we had a test, but it was basically just a party. It was really fun. Our newest thing is we’re putting together this club, Society for the Advancement of Social Studies. It’s going to meet at a bar, maybe monthly. We’re not sure what we’re going to talk about yet—labor rights? Triangle Shirtwaist Factory?—but it’s going to be nerdy and amazing. We’re really excited about it.

brooklyn spaces: How do you feel about being in Brooklyn today? Do you think something like this is inspired by Brooklyn?
Jen: Oh yeah, we’re totally a product of our environment. I don’t think we’d be doing this if we lived somewhere else.
Soma: We’re obviously doing a very Brooklyn thing in Brooklyn, I think it’s just hilariously Brooklyn what we do. But we’re totally self-aware and we love it.

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Like this? Read about more skillshares: Pioneer Works, LifeLabs, 3rd Ward, Ger-Nis, Time’s Up, Urbanglass

ger-nis culinary & herb center

oriana on 17 Aug ’11

neighborhood: gowanus | space type: skillshare | active since: 2010 | links: website, facebook, twitter, blog

Let’s just take a minute and talk about something totally outside of the purview of this blog: ice cream sandwiches. Think about an ice cream sandwich. We all have the same picture, right? Mushy chocolate cookie with rock-hard crappy vanilla ice cream? Let me just clear that image right out of your head. Here, my friends, are some freaking ice cream sandwiches:

chocolate-dipped almond cookies filled with black cherry ice cream

cucumber & gazpacho granita ice bites

basil ice cream with bacon on tomato

orange sherbet on sliced beet

I hope I blew your mind a little bit with those. Because Ger-Nis Culinary & Herb Center, where I took the Artisanal Ice Cream Sandwich class that produced such loveliness, totally blew mine.

Ger-Nis—like so many of the spaces I’ve profiled—has a lot going on. In addition to a whole slew of incredible cooking classes—like Indian Street Food, New Nordic Cooking of Iceland, and a Make Your Own Take-Out series, to name a very few—they’ve got social clubs and supper clubs and meetups and all sorts of festivals. It’s a warm, incredibly welcoming space, and I can’t wait to go back to cook something else. You should too! But first read my interview with Nissa Pierson, the space’s creator.

photo by me

photo by Maximus Comissar

brooklyn spaces: Give me a quick history of the space?
Nissa: About seven years ago I started a business called Ger-Nis International, which is an importing business for organic, fair trade fruit and vegetable. We were looking for a new space for the business, and we found this one. Honestly, the moment I saw this place, I said, “I’m going to open up a culinary center,” even though it was just an empty room then. I’m very quick to do these kinds of things. Luckily, my brothers are builders, and they were amazing, building everything out for me after I designed it. I think of the theme as “modern French farm.” I really like a kitchen to have a homey feel. Kitchens that are too modern make you feel very icy, very culinary school, big chefs with their hats, and so the modern edge here is for the artistic side, and the farm-y feel is for the culinary side. I think the place has really nice energy, because it’s all been done with love.

photo by me

brooklyn spaces: How long have you been teaching cooking classes?
Nissa: Thirteen, fourteen years. I’ve taught for the city of Santa Monica, a bunch of Whole Foods in different cities; I’ve done lost of private classes, I’ve taught at culinary studios across the country. I’ve also written a lot of herb recipes. But I’m 100 percent self-taught in everything I do.

brooklyn spaces: Do you also take a lot of cooking classes?
Nissa: Not really. I’ve taken a few and been bored to death, because most of them are just talk, talk, talk, talk, talk. Cooking classes are all so technique-based, and I’m not such a believer in technique. I think you can cut an onion a million different ways. I travel a lot, and when you travel, it’s not so much about technique, it’s about ingredients. So that’s what I try to emulate.

photo by Maximus Comissar

brooklyn spaces: How do you decide what to teach here?
Nissa: Listen, my head is filled with so much stuff. Creating the classes is the exciting part for me. I get bored super easily, so it’s really important that we have a variety of classes. We first opened in the summertime, so we started with a lot of ice cream and gazpacho. Our bestselling classes are my Latin classes; our pasta classes are popular too. We have such a laid-back feel about the place, and great people come in who really want to learn. And it’s a really social thing. People leave exchanging numbers and come back again together, which is really nice to see.

brooklyn spaces: Give me a quick rundown of all the different components of the space.
Nissa: Well, of course there’s the cooking classes. We also have a couple of series. One is Brooklyn Conversations, with local chefs, which is a nice way for people to get to know the chefs, and for the chefs to get to just talk about food. We have one called the Brooklyn Artisanal Kitchen, so like Salvatore Brooklyn will teach people how to make ricotta, things like that. We also do supper clubs, with a local chef and all the different local artisans, farmers, and purveyors. We did a social club this summer, sort of like a meetup for foodies, where we organized events and brought food, like we did “Opera in the Park” and brought antipasto. I’m doing one in a couple of weeks called “Lettuce Shred It” at Rockaway, which is free surf lessons—I’m a surfer—and lettuce sandwiches. Then we also have Kids in the Kitchen, and we go into schools, or have school groups come here. We’ve done programs with developmentally disabled adults. We do all different kinds of things, so long as it’s about food education.

photo by Maximus Comissar

brooklyn spaces: What’s your relationship with the community?
Nissa: I’m a strong believer in supporting the community. We do as much as we can to work with neighborhood businesses, to collaborate and cooperate. We work with Union Market quite a bit, and a lot of the restaurants around here, like Miriam, Franny’s, Al Di La. We arranged one of our meetups at the Sycamore, which is a bar and flower shop. We try to bring our customers to the people and businesses we believe in supporting.

photo by Maximus Comissar

brooklyn spaces: What are your goals for the future?
Nissa: I’d like the space to be profitable because I’d like to pay my rent. That’s number one. I’d like this to become a place where people in the community come to socialize, to learn to cook, to play. I’d like it to become a domain for local chefs, food artisans, people with a food education message. A lot of people tell me that I take on too much, that there’s too much going on. But I believe that if you have a good grasp of how to connect it all, then it’s easy. So that’s my goal.

***

Like this? Read about more teaching spaces: Brooklyn Brainery, Lifelabs, Pioneer Works, 3rd Ward, Time’s Up, Bushwick Print Lab, Urbanglass

werdink / ninja pyrate

oriana on 22 Jun ’11

neighborhood: east williamsburg | space type: screenprinting \ events | active since: 2010
links (werdink): site, blog, myspace, facebook | link (ninja pyrate): facebook
contact (werdink): contact@werdink.com; 917.204.2976 | contact (ninja pyrate): ninjapyrates@gmail.com

Even though I live about ten minutes away from them, I’d never heard of Werdink Screenprinting Boutique or Ninja Pyrate. And maybe you haven’t either—but believe me, that’s going to change. They’ve got an amazing hybrid space, encompassing a high-end screenprinting studio, a boutique shop selling apparel and skateboards (all printed onsite), a multipurpose event space with a rubber floor and an aerial rig, a DJ setup, and a recording studio in a pirate ship. A pirate ship. And they’re really eager to open the space up to the community, to see what people can do with it.

Who are these amazing people? Matthew is the Werdink screenprinter, and his sister Krisstina and her boyfriend Jeff are still figuring out more amazing ways to use the Ninja Pyrate space. Plus they’re all well connected to the crazy Brooklyn creatives: Werdink did a screenprinting truck for the first three Lost Horizon Night Markets and shares tips with Bushwick Print Lab; Krisstina pals around with one of the girls from House of Yes and Lady Circus who started Make Fun; their space is literally downstairs from Shea Stadium.

Scroll down to hear more from these awesome people!
[all photos in this post by Alix Piorun]

lifelabs new york

oriana on 19 May ’11

neighborhood: nomadic | space type: skillshare | active since: 2001 | links: website, facebook, twitter

In Brooklyn these days, we’re in the midst of a renaissance in shared learning experiences, like skillshares, interactive teaching, and different kinds of adult “ed.” There’s so many different avenues of nonconventional learning, from places like Brooklyn Brainery, TradeSchool, Brooklyn Kitchen Labs, Alpha One Labs, and The Commons, and series like OCD Lectures, Nerd Nite, Adult Ed. And one of the older groups focused experiential learning is LifeLabs NYC.

Started by social psychologist LeeAnn Renninger, who has a doctorate in urban ethology from the University of Vienna, LifeLabs is “an incubator for ideas on living wisely and well, offering courses, labs, and events for the common good.” What kinds of classes? Oh, awesome things like Yapper Lab (the art of better conversation), Sense School (fine-tuning your five senses), and Surprisology (adding surprise to every aspect of your life).

bushwick print lab

oriana on 10 Apr ’11

neighborhood: ridgewood | space type: commercial & studios | active since: 2010 | links: website, facebook

I hope I’m not going to have to change the name of this blog; Bushwick Print Lab is yet another space (like Silent Barn and Arch P&D) that is—technically, and only barely—in Queens. But it’s such a neat space, I had to cover it. BPL is a collective silkscreen studio where you can contract printing projects from very talented printers, or rent space and time to do it yourself. They offer basic silkscreening and textile printing workshops, too. Hourly rates begin at $25, monthly at $125, and their equipment includes a 44-inch exposure unit, a coating and drying room, a power washer and back-lit washout, flatstock printing tables, large paper drying racks, four-color tabletop presses, a flash unit, discounted paper stock, t-shirts, and inks—all the tools a screenprinter needs. In addition to being involved in the greater Bushwick art community, BPL does month-long art shows whenever someone wants to curate one. So read my interview with Ray, and then get in touch with him to start doing some projects!
brooklyn spaces: How do clients find you?
Ray: It’s mostly friends of friends and word of mouth, although if you Google “silkscreen” and “Brooklyn,” we come up pretty high. There aren’t a lot of labs like us. We have most of the tools that you need, although it’s not necessarily the highest-end, or the most expensive production. We’re more DIY, for artists. There are a few others, like ABC No Rio is the one that most people know, where you put $5 in the coffee can and you coat your screen and go, but we’re a little more professional, for things that have to be precise, with no fingerprints.

brooklyn spaces: What kinds of clients do you get?
Ray: We’re pretty affordable and open to different people, so it’s a little bit of everything. We have high school kids come here, and we have career printmakers. We get a lot of people from the digital art world who want to do something more physical. We get activists; we just did the plaques for the Ghost Bike Project, and the Yes Men have a screen here right now. We made a screen for Swimming Cities. SVA and Parsons have even had classes come here. And then of course lots people from bands.

brooklyn spaces: Is it just you running the whole thing? Is there a staff?
Ray: It’s sort of a benevolent dictatorship. I’m the one who runs it, and I tend to use the space more than everyone else because I’m doing my own jobs to help pay for it. But there’s a few other people who have been helping out: Kevin from Just Seeds works here one day a week, and Melissa, who’s an assistant for Molly Crabapple and does Dr. Sketchy stuff, she does admin assistance. And we had an intern, Ben, he’s from this Walkabout program in Westchester, he was here for six weeks. That‘s basically the staff.

brooklyn spaces: Why did you pick this neighborhood?
Ray: It’s the neighborhood I know, I’ve been working out here for four or five years. And my friend Todd, he and all these people from Graffiti Research Lab needed to move studios, so we moved in together. I love the building, and our neighbors are great, like Yarn Wire, Regina Rex Galleries, Brooklyn Salsa Company, and Lang Percussion. Plus it’s just a nice area. We’re technically in Queens, which is interesting. You can really tell; it’s industrial Bushwick until you get to Cypress, and then it’s all row houses. It’s a whole other life in Queens, it turns out.

brooklyn spaces: Anything else you want to tell the world about BPL?
Ray: We’re happy to work with people, and we try to do it as affordably as possible. It’s been really nice doing this, everybody who works is here really cool and supportive and interested in each other’s projects. It’s been working out. I’m really happy about everything.

***

Like this? Read about more makers: Werdink, Gowanus Print Lab, Pickett Furniture, A Wrecked Tangle Press, Metropolis Soap, 6 Charles Place, Arch P&D, Gowanus Ballroom, Urbanglass, Better Than Jam, 3rd Ward

arch p&d

oriana on 7 Apr ’11

neighborhood: ridgewood | space type: art studios | active since: 2010 | links: website, tumblr

The guys who make up Arch P&D—Evan, Ian, and Zak—are some of the nicest, hardest-working dudes I have ever met. Not only were they willing to give me an interview and walk-through of their amazing new space way late at night, they actually set up a private art opening for me and Maximus, new works by Andriana Santiago in collaboration with Evan, weeks before the show will be open to the public. The Arch artists hung out with us for hours, bubbling over with excitement and energy and passion, chatting about art and life and skateboarding and bedazzling and pleasant anarchy.

photos by Maximus Comissar

You’ve probably heard of the previous incarnation of Arch, from their big, bright gallery space on Troutman Street in Bushwick, where they held group art shows and indie boutiques, and were a fixture in neighborhood art events like Beat Night and Bushwick Open Studios. But they’ve moved on, with a new space (in Ridgewood, technically), new goals, new ideas, and new synergy. As Evan says, “Arch was started to create a space where artists could get together and share art and skills, to do work that everyone could benefit from in a sustainable manner.” There are eight artists sharing space at the new Arch, and they make every kind of art imaginable, from visual art to commercial art to music to skateboarding to metal and woodwork. Even with so many people, the space is incredibly organized and doesn’t feel cramped; every workstation is built on wheels, so they can clear out the space easily for parties and events. They’ve got a crazy diverse roster of high-profile clients—including Lady Gaga, Dos Equis, Andrew WK, Dance New Amsterdam, and Lindsey Lohan—as well as working with many other underground Brooklyn spaces, like Red Lotus Room and House of Yes. They also throw art salons and parties, have open hours as a gallery, and are open to collaboration and skillsharing.

brooklyn spaces: How did you all come together?
Evan: I met Zak doing a job for Dos Equis. We made steampunk party boxes and a steampunk piano for Andrew WK.
Ian: I met Evan through working with Narcissister. He started pulling me onto some jobs, and I pulled him onto some, and it went back and forth for awhile, until we decided that it was silly not to merge into one entity.

brooklyn spaces: So you guys have lots of high-profile clients, individually as well as collectively.
Evan: Everything is collective now. Together we’re doing what one of us could never do alone.
Ian: Everything in the shop is communal, so long as you know what you’re doing and you clean up after yourself. It’s respectfully collective.
Zak: It’s an open exchange of ideas and materials and tools.

brooklyn spaces: How did you pick the name?
Evan: It’s from a project that I did with a massive group of friends for Pier 59’s fifteenth anniversary party. It was for Fashion Week Spring 2010. We designed a massive Roman set, with an arch and columns and blocks, which took every last bit of help from everyone I knew. And it became obvious that the structure of an arch requires every block in the arch to hold it up. Actually, tomorrow we’re going to go and pick up that arch from storage, and we’re going to install it in the House of Yes for the new show, Caligula Maximus. It’s coming full circle.
brooklyn spaces: Where will it go when House of Yes is done with it?
Evan: I don’t know, it might end up at Materials for the Arts.
Zak: Sustainability is a key element for us. Everything we do is going to get reused or given away.

brooklyn spaces: Has Bushwick influenced the space, or Brooklyn in general?
Zak: Bushwick is the pulsating center of art in Brooklyn right now. It’s where everything is happening.
Ian: I think even the way we’ve set up the space, it has a Brooklyn feel. It’s open, there’s no walls between our spaces, everything is there for everyone to see.
Evan: It’s all DIY and scavenged, the windows leak, it’s freezing cold, you’re working in the shop in all your clothes. That’s Brooklyn.
Zak: Survival skills.
Evan: Also it’s really bleak, it’s this post-apocalyptic industrial wasteland.
Zak: In the wintertime you walk out there and it’s like snowfields and dilapidated train tracks and broken-down warehouses, but what’s coming out of here is what people deem some of the most beautiful artistic work in the world. On the outside this building looks like nothing, but inside we’re creating stuff that’s on Fifth Avenue. The juxtaposition is fantastic, it embodies the whole situation.
Andriana: And we’re remaking the neighborhood. It’s just about taking what you have, whatever it is, even if it’s old or dirty, and making it your own and creating your own life. Whatever you want it to be.
Ian: That’s what’s so beautiful about this space, it’s all of our dreams put together, making it into a collective dream.
Evan: I’m gonna cry.

brooklyn spaces: What else is even in this immediate neighborhood? Are there other artists creeping out?
Evan: Oh yeah. There’s a lot of lofts out here that are filled with artists.
Andriana: We’re like roaches.
Zak: Yeah, we come out at night and we’re impossible to get rid of.

brooklyn spaces: Will this space be open to the public like the last one?
Evan: We just recently did a gallery show; obviously this will be an ideal place to have art hanging on a regular basis. We’ve been open to the public for about five events. We’re trying to find where our public presence as a space exists.
Ian: A lot of it comes from opening up the space to other artists. We’re open to helping people who don’t have the space to do larger projects.
Zak: We’ve all been there, having a concept but not the space to realize it. So we’re more than willing to help out other artists with space and materials.

brooklyn spaces: Do any of you want to talk about recent favorite projects that you’ve done?
Evan: We just made a mannequin for Melody Sweets, a burlesque performer. And we did a really nice set at Lincoln Center for Fashion Week for Odd Molly, a Swedish fashion company. And we did a set for Black Nativity Now, an Off-Broadway production by Alfred Preisser. Zak just headed up a project doing two suites for the Lady Gaga concert at Madison Square Garden.
Zak: I also make surfboard fin key necklaces, in a range of metals and finishes, and Lindsey Lohan has taken a liking to them, so I’m getting some calls from her. That speaks to the diversity in the whole situation, we have high-end sets, high-end furniture, high-end jewelry, it’s such a range.

brooklyn spaces: Anything else you want to tell the world?
Zak: Tell them to come by! They’re more than welcome, our doors are always open. Just be friendly. Have a smile on your face and want to be a little bit creative and get your ideas out.
Ian: There’s always a way to make your project happen.
Zak: Yeah, whenever someone says “Is that possible?”, we never say no. It’s always possible. It just takes a little bit of creativity, a little bit of blood, sweat, and tears.

***

Like this? Read about more art coworking spaces: Exapno, Time’s Up, Bushwick Print Lab, Urbanglass, 3rd Ward, Brooklyn Lyceum, No-Space

urbanglass

oriana on 25 Mar ’11

neighborhood: sunset park (ft. greene) | space type: skillshare | active since: 1977 | links: website, blog, facebook, twitter

I went to an open house at UrbanGlass—a glass-working skillshare and teaching center—completely on a lark, and it was absolutely fantastic. After touring the space, we watched people making glass beads over blowtorches, and a team of two blowing and shaping a hunk of molten glass into a vase, sliding it in and out of the “glory hole,” a furnace set to around 2000ºF, which is used to re-melt the glass as it’s worked on. It was incredible.

Housed in a historic former theatre, UrbanGlass is huge and hot, filled with kilns and pipes and furnaces and fire, with glass-blowers and glass-firers and glass-fusers in safety goggles and protective gloves all around. It was the first all-access glass center in the United States, and is now the largest, with studio space for more than 150 artists and classes for over 500 students each year.

Discs by Misako Shimizu

In addition to classes and studio rentals, UrbanGlass hosts exhibitions, offers a visiting artists program, and even started the Bead Project, a scholarship program to help economically disadvantaged women learn a marketable skill.

Glassblowers Rob Panepinto and Alexis DeLeon

Student work from the “Kiln 2” class with Laurie Korowitz-Coutu

Laurie Korowitz-Coutu making beads with a blowtorch

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Like this? Read more about skillshares: Brooklyn Brainery, Time’s Up, 3rd Ward, Gowanus Print Lab, Pioneer Works, Bushwick Print Lab, Ger-Nis, Exapno