12-turn-13

space type: parties, events | neighborhood: clinton hill | active since: 1998 | links: website, facebook

Art party space 12-turn-13 sits in a huge industrial building dating back to the 1930s, one of only two remaining structures from the MH Renken Dairy complex (preservationists are working to designate the other as a historic landmark). For the last sixteen years—an incredible lifespan in today’s deliriously shifting Brooklyn underground—this beautiful loft has hosted all manner of DJs, gallery shows, and complex performance events, from Wolf + Lamb and Mister Saturday Night dance parties to exotic honey tastings and elaborately themed fêtes.

all photos courtesy of theARTcorps

Read on for plenty of reminiscences and fantastic stories from owner Steve R. about sixteen years of underground Brooklyn brilliance.
[n.b.: this interview took place in September 2013]

brooklyn spaces: This space is just gorgeous. What was it like when you got it?
Steve: Oh, it was an absolute sty. There were these huge hinged industrial windows that weighed about fifty pounds, they had bars on the outside and the inside. There were strips of fluorescent lights hanging from the dropped ceilings, which were curling at the edges from water damage. There were all sorts of wire conduits everywhere, and there was a concrete bunker in the corner that functioned as a bathroom—it consisted of a toilet, about enough space for a toilet paper roll, and on the outside, literally hanging off its pipe, a sink that didn’t work. That was it.

brooklyn spaces: So it was love at first sight?
Steve: Well, I’d looked at about sixty different places, from Sunset Park to Greenpoint—leaving out Williamsburg, because I knew I didn’t want to go there.
brooklyn spaces: Even in 1998 you didn’t want to go to Williamsburg?
Steve: Well, I was living in the East Village at the time, and an Urban Outfitters had just moved in across the street from me. I knew what was going to happen in Williamsburg, and I just couldn’t do that again. Anyway, I had a car at the time, so I drove here, and when I walked in, this place was so disgusting, but I could see the beams, the wood floors, the perfect lighting, I knew it had the bones. So I immediately said, “Yes, I’ll take it!” And then I drove back to the East Village and thought, “Oh god, is there a subway? Is there any food?” I had no idea. So I had to come back and walk the neighborhood. Luckily there was a post office, a supermarket, a few amenities. So yes, love at first sight, and then a lot of work. We ripped out the drop ceiling and exposed all these beams—that took about nine months on a twelve-foot ladder, scraping it all by hand with a little brush. And then carpenters, electricians, plumbers; we basically built everything from scratch.

brooklyn spaces: And the goal was always to make a living space where you could throw parties?
Steve: Yes. My East Village apartment was 600 square feet, and I had parties there for years. My scene was DJs and downtown artists, performers, and fashion people. We did First Friday salons every month, where people would come over and share what they did, creatively. It grew to the point where we had a keg in the bathtub and people lined up and down the stairs smoking cigarettes until 4 o’clock in the morning, and I just realized my neighbors hated me and I had to move.

SPANK party, photo by Jemma Nelson

brooklyn spaces: You had no resistance to coming to Brooklyn?
Steve: There was only Brooklyn. Where else could we go?
brooklyn spaces: What about your guests—was there resistance for them to come to Brooklyn?
Steve: Oh god, yes. This is back in the day when we had to actually print invitations and handwrite the addresses and put them in the mail. People didn’t even know about the G; back then we called it the Ghost Train. One friend came out for a salon here and didn’t have my phone number; he was banging on the door but we didn’t hear him, and he went back home and that was the end of our friendship. He was so upset about how far he’d had to come! Nowadays of course it’s no big deal, but then? Yeah, it was tough.

Blue Dinner Party

brooklyn spaces: What was the neighborhood like?
Steve: Well, Myrtle Avenue was called Murder Ave. There was a double homicide right up the block, there was a brothel across the street; once they threw a television out a fourth-floor window—what a spectacular crash. There were no gays, not many white kids. But what I loved about it was that it was Brooklyn, it felt so real to me. And I knew all my neighbors, they would all come to my parties. Now everybody looks alike and I hardly know any of them.

brooklyn spaces: How has it been, watching that change?
Steve: Well, I can actually eat in my neighborhood now. I can buy coconut ice cream at 4 in the morning, and there are boutiques and a yoga studio; but now I have to be concerned about how much noise I make. So it’s not the same but the neighborhood has retained a lot of its character, and I think it’s changing with some integrity. But we’ll see how it goes.

Midnight Magic

brooklyn spaces: Let’s talk about the parties. Tell me about some great ones or awful ones or really memorable ones.
Steve: Oh my, sixteen years. Let’s see. In probably 1999 we threw a series of parties called “b_list.” The price to get in was $3—the graffiti tag “$3 too much” is still in my hallway. We had breakdancers spinning on cardboard boxes, go-go dancers, the DJ atop the booth with his pants around his ankles; people were having sex in the bathroom, sex in the water-heater closet, sex in the corner—it was crazy. Someone shat on my couch in the supposedly locked storage area.

Halloween party

brooklyn spaces: Wow. Were all the parties that intense?
Steve: No, no, that was something of an anomaly. When I moved in here it was to make a playground for a variety of artists, and every party had basically two criteria: it had to be multi-disciplinary, and it had to change the space, so that every time you walked in here you went “Ooh, it’s totally different!” We did a series of “Art Inspired By Nature” parties that were very involved: from 6 to 9 it was a proper art gallery, from 9 to 11 there were performances, and then the lights would go down, the DJs would start, and, you know, my parents and all the neighborhood kids would vacate and it would turn into a real party. Those parties were so much effort! First we curated about 30 artists around a nature theme, and then I found an environmental nonprofit partner—for one about water, we partnered with Riverkeeper and they did a lecture for us on the New York Watershed; we also went to the Coney Island Aquarium and got a behind-the-scenes tour of feeding the sharks and propagating jellyfish. For another, about air, we partnered with Earthpledge. So it was about six months of work and planning leading up to a one-night event, and it was like BOOM, crescendo! And then massive depression afterward. It became very difficult to maintain that momentum.

Art Inspired By Nature party

brooklyn spaces: How did you keep from totally wearing yourself out?
Steve: Well, around 2005 I met the Wolf + Lamb guys and started throwing parties with them, which was much easier: all I had to do was set up and clean the space. They had a following, so they’d promote to their people, I’d promote to my people, and everyone would come. There was suddenly this thing called email, which made it all so much easier! So I’ve been doing mostly DJ parties ever since then. We’ve been doing the Mister Saturday Night parties for about five years now, with some Mister Sunday parties in the winter months. They’re the most magical parties, full of a diverse group of people, and even children. We really deck out the space with fun décor and art installations; we’ve been partnering with Jeffrey Ralston, who does amazing inflatables that make everyone smile.

Mister Sunday party

brooklyn spaces: So DJ parties became your main focus.
Steve: Yes, but I do still host smaller, more intimate and creative salons. We’ve had supper clubs and wine tastings and salsa dancing lessons and a jazz concert. Oh, and one of my favorite recent parties was for my birthday, a Bee-Day Party, because I’m now a beekeeper. We had flowers everywhere, there was a honey tasting, we had a little photo booth with Astroturf, a real log, a flower-ringed arbor, sky, clouds, and a kite. Jeff did these gigantic nine-foot inflatable flowers. It was wonderful.

Mister Saturday Night

brooklyn spaces: Tell me about one more really memorable party, where everything just worked perfectly.
Steve: A few years ago we did one called “Dante’s Inferno” in collaboration with the theatre collective Augenblick. It started in the city and went through the Nine Circles of Hell on the way here. The first and second were in Union Square, the third was on the L train platform, the fourth and fifth were in the Lorimer station, the sixth was on the G train at the Classon stop, and then on down the hill. When people approached 12-turn-13, we had all these performers out on the street: fire throwers and twirlers and a nine-foot monster. And then you came inside and the entire space was decorated to be Hell. People walked in through a green screen, and their images were projected in flames elsewhere in the space. It was incredible.

Dante's Inferno party

brooklyn spaces: Having come from the East Village and been here for so long, what do you think is the influence of Brooklyn on 12-turn-13—or the influence of 12-turn-13 on Brooklyn?
Steve: I came to Brooklyn at the right time. I think at this point, finding a space like this, it’s kind of too late unless you have a lot of money or you’re venturing much farther out. But I think there are still pockets all around. I have friends in the Rockaways who bought the Playland Motel, which is an amazing space, and I know there’s the whole industrial complex in Sunset Park that’s going to explode. There’s still that pioneering spirit, and there’s still space if you look for it. During the Red Bull Music Academy, Justin [Carter, of Mister Saturday Night] and I went out to Knockdown Center, and walking into that courtyard, seeing that massive building, I felt like it was 1996 again, this feeling of discovering something new and different and grand and ambitious and magnificent.

Salon Selects Supper Club

brooklyn spaces: Knockdown Center is one of my absolute favorite new spaces.
Steve: Architecturally, it’s astounding. It reminded me of the Lunatarium, this incredible space that was in Dumbo in the 2000s [ed note: check out Jeff Stark’s great piece on the closing of the Lunatarium], or the Fake Shop in Williamsburg, which was a huge warehouse where they had amazing inflatable installations and dark sensory-deprived crawl-space mazes you went through on your hands and knees. Knockdown Center for me was like, “Wow. It’s still happening.” There are always people who want to have an adventure, that craving for discovery. 12-turn-13 is the same, it’s a destination. You need to want to come here, but we’re going to throw such a good party that it will be worth the journey. At least, we hope it will.

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Like this? Read about more underground party spaces: Rubulad, Gemini & Scorpio, Red Lotus Room, The Lab, Egg & Dart Club, Gowanus Ballroom, Newsonic

twig terrariums

neighborhood: gowanus | space type: makers, commercial | active since: 2009 | links: website, facebook, twitter, flickr, pinterest

all photos by Maximus Comissar

Yet another amazing maker shop in Gowanus, Twig Terrariums—the brainchild of Katy Maslow and Michelle Inciarrano—sells tiny gorgeous worlds. Their terrariums are housed in mostly found glass—like vintage gumball machines, cake stands, light bulbs, pitchers, and pendants—and they’re filled with lush mosses and other plants, complete with quirky little scenes. These include sweet things like wedding couples, hiking groups, zoos, and people reading or golfing or swimming, as well as more adult fare like naked sunbathers, fornicating couples, graveyards, zombies, graffiti artists, and axe murderers.

Michelle & Katy, photo by Lauren Kate Morrison

Katy and Michelle are a couple of seriously busy crafters: in addition to running their shop and offering lots of terrarium-making workshops, you can catch them at tons of fairs, like Bust Craftacular, Renegade Craft Fair, and Brooklyn Flea. Their amazing work has been featured all over the place, including NY1, New York Times, New York Magazine, Urban Outfitters, WNYC, Design*Sponge, and more. And they’ve even have a book: Tiny World Terrariums.

brooklyn spaces: Give me a brief definition of a terrarium.
Katy: It’s really just plants enclosed in glass.
Michelle: Terrariums were started back in the 1800s by Nathaniel Bagshaw Ward. He wanted a fern garden in his yard but he couldn’t make it grow because there was a lot of pollution where he lived in London, but he noticed that inside this little case where he was experimenting with moths, a fern spore had somehow taken hold and grown. So he started coming up with different types of cases and seeing how different plants did. And he experimented and got it right, and it actually changed the course of history. It’s the reason we have tea, coffee; it was indirectly responsible for penicillin and things like that, because they were able to take plants much farther than they had before.
brooklyn spaces: Wow! Did you know all that before you started making terrariums?
Katy: No way.

brooklyn spaces: So how did this all come into being?
Michelle: Katy and I were childhood hooligan friends, we used to hang out all the time and be crafty. We lost touch for several years, but then we met again about five years ago and went right back to making things together. And one day I pulled a cruet jar out of my kitchen cabinet and said, “I want to make a terrarium out of this.” Before we knew what happened, we had terrariums all over our apartments.
Katy: We got addicted so quickly! We had to choose between giving them to everyone we knew or trying our hand at selling them. When we went to the Brooklyn Flea for the first time we had an amazing response, and we were picked up by the New York Times. The first day! The second time we went we got picked up by Country Living. Third time it was something else, and then something else, Rachel Ray and Real Simple and all these awesome things. It was definitely a surprise.

brooklyn spaces: Did you think five years ago that this was going to be your lives?
Katy: Not at all. We were just presented with an amazing, unexpected, very charming response, and this became our livelihood. We’re hoping that it’s not a passing phase. I mean, terrariums have been interesting for 200 years, and most likely they’ll be interesting for 200 more. And we’re always challenging ourselves, looking for ways to make it bigger, better, cooler, more intricate, more elaborate.

brooklyn spaces: Tell me about some of your favorite terrariums.
Katy: My personal favorites are the graphic horror: axe-murderer scenes, post-apocalyptic scenes, wheelbarrows full of body parts, mass graves, zombies. One of the ones I have at home has a guillotine on a hill and heads rolling down. There’s an irony to it, this kind of fun, expansive space that can be filled with quirky little characters and inhabitants. One of our popular ones is a big beautiful terrarium with a little park, and then off in the corner there’s a couple doing it in the bushes. Of course, we also do a lot of unicorns and fairies. We really just go with our weird tastes and bizarrely varied interests and whims.

brooklyn spaces: Tell me about some of the specific moss. Which are the funnest to work with or look the best?
Katy: Well, there are like twelve, fifteen thousand types of moss in the world, so there’s a lot to work with. When we were researching, we found out that NASA was actually considering terraforming the moon with moss because it’s so hardy and adaptive. But we each have our obsessions. We love the sphagnum buds that happen in their juvenile form, and they grow in bogs, like six feet of mud, right alongside streams and ponds. Sometimes when we go mossing, we really suffer for our art. Michelle lost a shoe once.
Michelle: I took a wrong turn and sunk a foot and a half down in the nastiest, stinkiest bog you can imagine. And I lifted my foot up and my shoe was gone. I had to go home with a bag over my foot, and it stunk.
Katy: She reeked. And I laughed and laughed!

brooklyn spaces: Do you do your mossing in and around New York?
Katy: We have freelance mossers all around, and we’re always looking for more. If you guys ever want to go mossing—
Maximus: Oh my god, I want to do that. Can we do that?
brooklyn spaces: Yes!
Michelle: Okay, just don’t go to Central Park. You can’t take from public land or parks or anything like that.

brooklyn spaces: How does being in Gowanus affect you as artists and small-business owners?
Katy: We love it here. We’re both Brooklyn natives, and I think this is one of the best neighborhoods in the borough.
Michelle: Our neighbors are absolutely amazing. Ben, who runs Gowanus Your Face Off, he came in and introduced himself the second he saw our sign go up. Proteus Gowanus picked up some glass from us to house weird objects for an exhibit. There are so many cool things in Gowanus. We’ve got Film Biz Recycling, 718 Cyclery, and Littleneck right down the street. Everyone’s got such great ideas.
Katy: Everyone’s been really welcoming and supportive and really into what we do. We just love it here.

brooklyn spaces: Having grown up in Brooklyn, what do you think about being here these days?
Katy: I love what Brooklyn’s become. When I was growing up it was still grungy, and I do kind of miss the seedy underbelly of New York, which doesn’t really seem to exist anymore. But I very rarely go into the city, I rarely leave Brooklyn. I get my rugelach in Midwood and my latte in Gowanus and I’m a happy camper.
Michelle: I’ve always loved Brooklyn. Even though it’s stinky and smelly and all the trash and traffic, it’s still so charming.
Katy: Last time I had out-of-town guests, we didn’t even leave Brooklyn. We went from a barge museum in Red Hook to the best pizza in Bay Ridge to Green-Wood Cemetery, and it was the coolest. There’s so much here, it’s so quirky and fun. I fall in love with it every time I think about it.

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Like this? Read about more makers: Metropolis Soap Co., A Wrecked Tangle Press, Breuckelen Distilling, Arch P&D, Urbanglass, Ugly Duckling Presse