east williamsburg – brooklyn spaces

the spectrum

oriana on 11 May ’15

[I’m counting down to the release of the Brooklyn Spaces book by doing one mini-post per day, sharing teasers of some of the places you’ll find in it.]

neighborhood: east williamsburg | space type: performance venue | active since: 2011 | links: facebook

In late 2011, several queer community and collective living spaces were all shuttered in a row—the most high-profile being Mx. Justin Vivian Bond‘s House of Whimsy in the East Village. Artist Gage of the Boone and Mx. Bond’s former roommate Nicholas were looking to start a new space for queer and queer-friendly artists to gather and present their work, and they found what would become the Spectrum tucked behind a cheap diner in East Williamsburg. A former aerobics studio and after-hours bar, the space was painted black, walled with mirrors, and adorned with a stripper pole and two disco balls. “It was grimy and sleazy,” Gage says, “but also so weird and beautiful.”

photo by Shannon Carroll

Three years on, the Spectrum has hit its stride. During the day, the space is used for dance and theatre rehearsals as well as classes, like disco yoga, queer pilates, dance, and meditation, all of which have a focus on inclusivity for any identity of body type. Then there are the nighttime events, showcasing all types of art and performance. Some recurring shows include Cloud Soundz (a music showcase), Revolting Grace and Execution (performance and dance-based work), Mama Said Sparkle! (performance art), Dick-tionary (poetry readings), and Ova the Rainbow, and Dizzyland (elaborately themed late-night dance parties). “I feel like this space is my radical duty, my everyday activism,” Gage says.

photo by Kit Crenshaw

Want to learn more about the Spectrum, and 49 other incredible Brooklyn Spaces? Buy the book!

the swamp

oriana on 8 May ’15

[I’m counting down to the release of the Brooklyn Spaces book by doing one mini-post per day, sharing teasers of some of the places you’ll find in it.]

neighborhood: east williamsburg | space type: music venue | active since: 2009 | links: website, facebook

On an anonymous and very industrial block in East Williamsburg, the Swamp has been going strong for six years—an incredible run for a DIY venue. Shows are mostly punk and hardcore—Resistance Culture, the Degenerics, Reagan Youth, Death Mold, HR of Bad Brains, the annual Latino Punk Fest—and there’s also a regular “dirty reggae” night and some ska and rocksteady shows. Many are benefits for radical groups like Anarchist Black Cross, WIN Animal Rights, NYC Antifa, and the Wolf Mountain Sanctuary. “Our thing is not money, but community,” says Christian E., who runs the space. “We have a great group of people who follow us and come to all the shows, so we try to make each one a really awesome event.”

pix by Walter Wlodarczyk

After such a long run, the Swamp is going to be slowing down on shows in order to refocus the space as a recording studio. There’s some awesome events planned for May and June to raise money for the Swamp’s new incarnation, so keep an eye on the Facebook page for updates.

Want to learn more about the Swamp, and 49 other incredible Brooklyn Spaces? Buy the book!

vaudeville park

oriana on 25 Mar ’12

space type: art & music venue | neighborhood: williamsburg | active: 2008–2013 | links: website, facebook, twitter

Vaudeville Park is a plucky arts venue with wildly diverse programming. It sits right on the borderline (at least, the current one) between Williamsburg and Bushwick. Run by experimental composer and multi-instrumentalist Ian Colletti, Vaudeville Park has shows nearly ever night, including all kinds of music (from synth to neo-chamber to ladies of experimental music), literature, film (from Noir Night to avant garde), dance and performance art, gallery shows, comedy, discussions, workshops (from yoga to circuit bending), and more. The space has been active for almost four years, and is now starting to get a lot of attention from the media, including regular mentions from the likes of Time Out New York, Brookly Vegan, Artcat, and Rhizome. Ian is one insanely busy guy who is also incredibly passionate and enthusiastic about the work he does. Check out my interview with him, and then please, go see something amazing at Vaudeville Park!

Ian Colletti, photo from Vaudeville Park's Facebook

brooklyn spaces: How did you get started with all this?
Ian: I’m from New York, born and raised, and I’ve been an artist and a musician pretty much my whole life. It felt like the early 2000s were a dark time for counterculture in Williamsburg. I mean, there was a lot of cool stuff going on for artists, but that was when groups like the Strokes and Interpol and Ambulance LTD, and really high-fashionisa galleries were huge. It was an appropriation of mainstream, cookie-cutter ideals into counterculture. It was like everyone who was in a band really just wanted to be a model in a Levi’s ad. Now artists have a chance to really represent themselves through their own savvy with the internet, but at that point there were just a few labels and magazines that promoted musicians. I was living with this guy from Fader magazine, and he was like, “Man, if you want to start your own weird art collective, you have to kiss these people’s asses.” I was like, No way. I just didn’t want to be part of this phony, arrogant, silver-spoon kind of thing. But I was really worried about the culture here, so in 2007 I stopped playing shows and performing, saved up as much money as I could, and turned my recording studio into an arts venue. The first show we had was Dreamtigers, by Brian Zegeer, who’s one of my best friends. He just headlined the Queens Museum “International 2012,” along with two of my other good friends, Ben Lee and Rachel Mason, both of whom have been really involved here. There’s an extreme synergy here that’s really important.

photo by Maximus Comissar

brooklyn spaces: Was it a nonprofit from the start?
Ian: Well, it was always nonprofit in its mission. We’re sponsored by New York Foundation for the Arts now; they picked Showpaper two years ago and they picked us last year. NYFA is good people, but we need our own 501(c)3, which we just went for, and we need to get larger grants.

photo by Maximus Comissar

brooklyn spaces: How do you pick your programming? Are you the only one who directs it?
Ian: Yes. Basically the mission of Vaudeville Park is to represent underrepresented artists of high craft. My goal is to pair the best minds and artistry and craft in music to the best visual and performance art. I really feel that people’s eyes have gotten bigger from constantly looking at things, but their ears have gotten much smaller. People don’t listen to records, they don’t really put effort into making records, and if they do it’s just ear candy, it’s less performance-based, there’s less heart and soul, it’s not as evolved. So I wanted to have a venue for counterculture music, like dark wave, coldwave, post-whatever, and new chamber and post-classical music. I felt that if I put the music in a gallery context, it would up the ante, like, “This music better be pretty damn good because these visual artists are so good.”

art by Alexander Barton, photo by Maximus Comissar

brooklyn spaces: So all the shows are music plus visual art plus something else?
Ian: Well, no. We have several different programs, and sometimes we combine them. There’s a gallery art program, with one show a month, either a group show or a few specific artists. Then there’s an archival film program, which includes one of our most famous shows, Noir Night. We’ve also had cartoon carnival stuff, we’ve had optics, we’re now working with the curators at Millenium Theatre and Anthology Film Archives, and we’re starting to have closer ties with the Kitchen. Then we have a TV program on Manhattan Neighborhood Network with my good friend Scott Kiernan, who does ESP TV. Then we have a performance art program. There are only four galleries and art spaces in New York City that host performance art. We’ve done a bunch of performances in the past, recently Esther Neff and The Penelopes and Performancy Forum. And finally we have the music program. We do workshops too, we’ve hosted a lot of extremely successful workshops, the biggest one that everyone constantly asks for is the electronics in music workshop for circuit bending. But we just can’t do it again without funding.

circuit-bending workshop, photo from Vaudeville Park's Facebook

brooklyn spaces: What about your own art? What kind of music do you play?
Ian: I do a lot of stuff, I’m a multi-instrumentalist, singer, composer. I was the first featured soloist in the Brooklyn Philharmonic Symphony Orchestra in November, and I made all these crazy handmade instruments and soundscape synthesizer stuff. I’ve done a lot of film scores, dance scores, music for fashion. I mostly do new works for chamber. The music that I’m doing now, the best way to put it is the orchestral coldwave height of pop that was never made. It’s like post-romantic coldwave blitz with eighteenth- to nineteenth-century post-classical music, and also a lot of Latin jazz and obscurities.

photo by Maximus Comissar

brooklyn spaces: Tell me about some of your favorite shows here.
Ian: One of my favorites was a Crystalline Flux installation, because one of the things I want to push for Vaudeville Park is doing something totally new, something that’s almost like a trip back to Bauhaus, or Kaprow’s Happenings, which were installations and events where a whole art space was transformed into a stage full of specific performers. So a bunch of my friends—Ben Lee of Beta Copperhead, Brent Arnold, Anthony Johnson, Caleb Missure, and Naomi Rice, who’s in a band Next Wave Festival—we transformed the whole space into a stage that would specifically fit one performer, kind of like a static music video. That was one of the most special art events I’ve ever been to. Also Noir Night is one of my favorite ones, I really think it works with the intention of the space. And I really like the Dreamtigers and Avatar Atavistic, and Myra Brim’s gallery show “April Sky,” and Christy Walsh’s dance piece, this flamenco classical guitar thing. I like pretty much everything here, it’s kind of a blur.

[below, from Ladies of Experimental Music: Leah Coloff, Meaghan Burke, and Valerie Kuehne; photos by Maximus]

brooklyn spaces: Let’s talk a little more about the neighborhood. Do you feel like being here on this weird cusp between Bushwick and Williamsburg affects the space?
Ian: Vaudeville Park is not a Williamsburg space, I’m not trying to make it “Williamsburg-y.” It’s the gateway to Bushwick arts, since we’re on the first block of Bushwick. During the last Bushwick Open Studios, the L train was down and we were the first place people saw. That’s a great festival, Arts in Bushwick works really hard.

brooklyn spaces: You’re getting a lot of attention from the media lately, but ultimately, this is a small space. Is there any worry you’ll get too well known?
Ian: No. Lots of shows here are really packed, but I’m trying to only do things that make sense in a smaller space. This is an arts venue, it’s done with no money but with the best programming and art possible. And by being good to people and treating artists well and believing in this community, you can go a long way. People who have run spaces like this, they do it for a couple years and then give up, and they have every damn right to, because it can be really hard and really frustrating. But what happens if you don’t give up? What happens if every time you think, “This is as far as I can go,” you’re like “Let’s go further”? What happens if we just keep expanding more and doing better? I’m really excited and happy to be doing this and to have all these special people involved. I’m really lucky.

***

Like this? Read about more arts venues: Chez Bushwick, Gowanus Ballroom, Bushwick Starr, Monster Island, Bushwick Project for the Arts, Fort Useless

trinity project

oriana on 13 Aug ’11

neighborhood: east williamsburg | space type: nonprofit, art studios | active: 2009–2012 | link: facebook

The Trinity Project is a fantastic, pioneering nonprofit organization working to integrate artists more completely into the communities where they live. It’s an alliance between East Williamsburg artists, the Most Holy Trinity–St. Mary’s Parish, and the Saints Joseph and Dominic Catholic Academy, wherein artists are given subsidized studio and rehearsal space in exchange for community service, whether tending the grounds, staffing church events, or teaching art to the students at the school. It’s a fantastic rebuttal to those who think artists insulate themselves within their neighborhoods, and proof that community alliances are possible across racial, economic, and even religious lines.

To get involved with them (they’re always looking for volunteers), email info@thetrinityprojectbk.org. But first read my interview below with Monica Salazar, who co-founded the project with Megan Tefft.

The lead photo is of Janice Purvis’s studio, taken by c. bay milin. For more from c. bay (who took many of the photos below as well), check out cbaymilin.com.

Trinity Project artists at Most Holy Trinity sanctuary

Bike-In Movie, photo by c. bay milin

photo by James S. Rand

brooklyn spaces: What gave you the idea for this project?
Monica: I read an article in the New York Times about the Church of the Messiah in Greenpoint, which rents out their basement for events like F.E.A.S.T., and their choir lofts for band rehearsals. I also knew St. Cecilia’s was doing something similar. I’m a musician and I have a background in theatre and dance, and I just thought that was so cool. I’ve lived in this neighborhood for years, and I’d always walk by this church, although I’d never been inside. So I emailed the friars and asked if they had any extra space, and they responded immediately and were really interested. So we decided to come up with a barter program, and just started filling up the space. We have bands practicing at the empty church, we have twenty visual artists in this building, we have a rehearsal room for different dance and theatre groups. We threw a benefit on the roof, we built a gallery upstairs.

Pre-K students in a Halloween mask-making class

brooklyn spaces: What do the artists do in return for the space?
Monica: Lots of different projects. A lot of them maintain the buildings or the grounds, or for example there was a parishioner centennial birthday at the church and we had some artists do the decorations and make a video montage. We also found out that the school on the other side of the church—Pre-K through eight grade, 260 kids—had zero art education. So about ten of the visual artists have been helping out there, and that’s where the program is working the best. At this point we’re actually braided into the curriculum; we aren’t an after-school program, we’re actually there during the day with the kids. It’s really cool.

photo by c. bay milin

brooklyn spaces: How do you decide who’s going to do what? Do you have artists with teaching backgrounds?
Monica: Some do, some don’t. As we’ve progressed, we’ve come to realize the type of people we’re looking for, which is a hybrid of high-caliber art and commitment to community service. This isn’t a coddling artist’s residency; everybody does all the dirty work.

Lotte Allen, photo by c. bay milin

brooklyn spaces: Tell me about some of the events you’ve had. You were involved in Bushwick Open Studios, right?
Monica: Yeah, for the last two years, and we had our own open studios last fall. We’ve done face-painting booths and such at street fairs. Last summer we had a series of concerts and movies at Saint Mary’s.

photo from Trinity Project's Facebook

brooklyn spaces: So it’s all been really successful?
Monica: Definitely. But this is a funny time. The church is being sold, and we’re going to be out of this building, so we’re majorly condensing everything we do. We’re going to refocus, distill what we’ve been doing into what’s working the best, which is working with the kids. We’re going to reduce it to four visual artists and four theatre, dance, and performing arts groups.

Spring FUNdraiser, photo from Trinity Project's Facebook

brooklyn spaces: Was it hard to cut down the artists?
Monica: Yeah. But we’ve always been very honest, they always knew it was only a month-to-month arrangement. There’s not really a precedent for this kind of program; we’re just making it up as we go along. It’s exciting that we’ve been able to be in this building for fourteen months; that’s longer than we’d anticipated. And we’ve definitely secured our relationship with the church, with the school, and with the diocese, and we’re working on leasing a building of our own.

brooklyn spaces: Do you have a favorite event that you’ve done?
Monica: Well, one of the challenges of this project has been that we’re not a religious organization, so the religious community and the artistic one are not always easy to bring together. But one really successful event was a holiday concert we had in the sanctuary. It was a mix of church performers and artists. Friar Timothy sang, one of the other friars emceed, this awesome church organist played, and the mostly Dominican church choir performed—they were incredible, they blew us all out of the water. On our end were mostly experimental bands doing their take on traditional Christmas music. There was one psychedelic band that was jumping around the altar, whipping stuff around their heads, and at first I was nervous, but the friars were into it. It was such a bizarre night, but really wonderful.

Trinity Project founders at St. Mary's Cathedral

brooklyn spaces: Have there been any problems between the two communities?
Monica: Well, we’ve been extremely emphatic with our artists about being respectful to the community that’s hosting us. I know young artists can be over-bold with their strokes, but this is just not the place for certain kinds of provocative art. I don’t mind it personally—I’m always intrigued by things that push the envelope, and I think that’s part of what artists are here for—but if it’s overtly anti-religious or über-sexual, we’re just not the home for it.

Pia Murray, photo by c. bay milin

brooklyn spaces: Are there other neighborhood organizations you work with?
Monica: We work closely with Chez Bushwick and Center for Performance Research. We also have relationships with the Pratt Center, Graham Ave Business Improvement District, El Puente, Saint Nick’s Alliance, and OurGoods.

brooklyn spaces: Had you been looking for an opportunity to bridge the gap between the artists and the neighborhood community?
Monica: Yeah. I lived on Broadway and Graham for six years, and I think it’s always been a little easier for me because I’m ethnic, but my roommates would complain about feeling uncomfortable, or that they made other people in the neighborhood uncomfortable. It just seems so silly to me, but it’s valid, there’s fear on both sides. So this was an awesome opportunity. I also really love church architecture, even though I’m not particularly religious. Plus, artists and the church have a very long, complicated historical relationship, so it wasn’t anything new to combine them. This church happens to be Franciscan, which is very liberal, philosophical, super educated. And the friars that we work with are the best. They’re really, really cool guys.

Like this? Read about more community groups: Trees Not Trash, Bushwick City Farms, Brooklyn Free Store, Body Actualized Center, Time’s Up

house of yes

oriana on 27 Jun ’11

neighborhood: east williamsburg | space type: performance venue | active since: 2008 | links: website, facebook, twitter

update, summer 2014: In sad but of course not shocking news, the House of Yes lost their East Williamsburg lease in August 2013. (If you want to take a look back, the Atlantic has an awesome piece on all three incarnations, from Bed-Stuy to Ridgewood to East Williamsburg.)

But why get nostalgic? House of Yes 4.0 will be opening in Bushwick the fall! Want to help make it happen, and get some wild and incredible rewards to boot? Donate to their Kickstarter, and help keep the Brooklyn underground alive.

***

I am really overjoyed about this post, because House of Yes is actually my very favorite space in Brooklyn (so far), and one of the spaces that inspired this whole project. It’s an aerialist training facility and performance venue in a huge former ice warehouse, and they put on the most high-energy, high-caliber, innovative and astonishing shows I’ve seen. They make all their costumes onsite and build their own sets, they collaborate with Brooklyn bands for live musical accompaniment, and every show is just spectacular, bristling with staggeringly talented aerialists, trapezists, fire-dancers, contortionists, burlesque acts, singers, and musicians.

Anya Sapozhnikova

Besides putting on phenomenal shows in a fantastic converted warehouse—in one of the most vibrant corners of East Williamsburg, down the block from 3rd Ward, Werdink, Shea Stadium, the former Bushwick Project for the Arts and Bushwick Music Studios, and more—many of the House of Yes gals make up the loose conglomeration of female acrobats Lady Circus, and they are tireless, performing at all the best underground Brooklyn parties and Manhattan cabarets, like Shanghai Mermaid and Café Panache, among many many others. And the mainstream world is taking notice: the Lady Circus performers were featured as a costume-design challenge on the incredibly popular show Project Runway in 2011!

Don’t you want to hear from the woman responsible for it all? Read on for my interview with Anya Sapozhnikova, founder of House of Yes and Lady Circus and crucial fixture in the Brooklyn underground performance scene.

photo from designglut.com

brooklyn spaces: I first heard about House of Yes when it burned down.
Anya: Yeah, that was our first space. The thing about the fire was that it made us realize that people really cared about what we were doing, and the mobilization of the underground scene in Brooklyn and beyond really blew us away. Our friend threw us a benefit party at Pussycat Lounge, and all the underground parties that were happening that night canceled their events and moved everyone there. The benefit was immensely successful, and we went from having nothing—we were all homeless, all of our shit was gone—to being able sign a lease on a new space.

Circus of Circus

brooklyn spaces: Was House of Yes originally conceived as a studio and teaching space, or was it always a performance venue?
Anya: The old space was just “Let’s do this and see what happens.” The new space was always going to be a venue in the evening and a training and rehearsal space during the day. Upstairs we also have a sewing studio, Make Fun. To be able to flourish and produce as much work as we want to, we need every square inch of the space making money all the time. We aren’t like, “Oh, we’re DIY culture, we’re going to dumpster everything.” Sustainability’s great, but we’re really excited about doing high-production-value shows, we want to do the best we possibly can, and we don’t want money holding us back. We have this state-of-the-art facility that enables us to create a show from start to finish, from sitting down with all your friends and working out the concept to having a sold-out closing night. What makes it so beautiful to me is that we concentrate on every single aspect: the costuming, the rehearsals, the movement, the sound, the promotion, everything. To me, live theatre is the most all-encompassing, the most mixed-media way to produce art. So in order for us to do our best, we’re always thinking about how we can generate income so these things can keep happening and we can keep growing.

The Wonderneath

brooklyn spaces: There’s a lot of these types of spaces around, but I feel like House of Yes is more intentional, and the caliber of shows here is higher. Do you think that’s partly because you have such a multifaceted facility?
Anya: I think we’re just really ambitious. There are a lot of different people involved and everyone just brings a huge amount of passion. Everyone involved in the space is so hands-on. We know what we need, there’s always an open dialogue, and it’s just a really tight group of friends who are all really, really ambitious.

New Faux Fashion Show

brooklyn spaces: How many people are involved in the day-to-day running of the space?
Anya: I don’t know. A lot. Nikki and Airin run Sky Box, which is the aerial component of the space, and that’s classes, workshops, training, rehearsals. Tara and Kae, who’s my main partner in the space, they run the sewing studio. Kae and I do the majority of the booking. Hasaan, one of the original founding members, runs the sound studio.

AHOYA, student showcase

brooklyn spaces: How long does it take to put a show together?
Anya: Two weeks.
brooklyn spaces: Seriously?
Anya: Yeah. $piderman! was the most difficult thing I’ve ever done, and it was done in two weeks. In two weeks we wrote, produced, directed, cast, made costumes, figured out the craziest lighting you’ve ever seen, everything. It was a huge pain in the ass and it caused a bunch of nervous breakdowns, but I think everyone secretly enjoyed it.

$piderman: Turn on the Lights!

backstage during 2010's Christmas Spectacular

brooklyn spaces: Do you have a favorite show, or one that’s particularly triumphant or special?
Anya: I like them all for different reasons, but I think that the Christmas Spectacular is probably my favorite. For a lot of the people involved, it feels like you have a real family. Me and Kae curate it, and it’s just everyone we know who we think is talented and amazing who we want to hang out with for three weeks straight. People can do whatever the fuck they want, and we kind of guide it and arrange it. I realized it was my favorite show when I was standing backstage and there was an eleven-year-old boy dressed in drag next to a fifty-three-year-old transvestite dressed as a man, and they’re dancing their asses off and I’m holding this giant spotlight, getting ready to go on, and I was just like, “Wow, this is really beautiful, we’re a family, and we’re celebrating this holiday that’s all about family.” It’s kind of really wholesome in a fucked up way. So that’s my favorite show. It’s low pressure, but really high talent, and it’s always good. Airin said it’s entertainment at its worst dressed in its best. High-quality chaos.

AHOYA! student showcase

brooklyn spaces: Being in this amazing corner of Brooklyn, do you have a relationship with the other people in the neighborhood?
Anya: Yeah, absolutely. It’s awesome to see this really accessible gentrification, where it’s not some random guy you’ll never meet building some random building you’ll never live in. Our peers aren’t afraid of becoming entrepreneurs and businesspeople, really pursuing what they want to do and doing it well, doing it in an interesting way that they care about. I love being in this community of business owners and curators and producers who are all young people, we all ride bikes and hang out on rooftops together. It’s like a different kind of grown-up. I really enjoy that.

Amber Dinner Theatre

brooklyn spaces: What are your goals for the future of the space?
Anya: I want to become a New York City institution. I want to make theatre in New York City better. It’s okay for theatre to be really fucking entertaining. I want to create art that’s accessible and meaningful and a really good time too.

***

Like this? Read about more performance spaces: Gowanus Ballroom, Big Sky Works, Rubulad, The Muse

werdink / ninja pyrate

oriana on 22 Jun ’11

neighborhood: east williamsburg | space type: screenprinting \ events | active since: 2010
links (werdink): site, blog, myspace, facebook | link (ninja pyrate): facebook
contact (werdink): contact@werdink.com; 917.204.2976 | contact (ninja pyrate): ninjapyrates@gmail.com

Even though I live about ten minutes away from them, I’d never heard of Werdink Screenprinting Boutique or Ninja Pyrate. And maybe you haven’t either—but believe me, that’s going to change. They’ve got an amazing hybrid space, encompassing a high-end screenprinting studio, a boutique shop selling apparel and skateboards (all printed onsite), a multipurpose event space with a rubber floor and an aerial rig, a DJ setup, and a recording studio in a pirate ship. A pirate ship. And they’re really eager to open the space up to the community, to see what people can do with it.

Who are these amazing people? Matthew is the Werdink screenprinter, and his sister Krisstina and her boyfriend Jeff are still figuring out more amazing ways to use the Ninja Pyrate space. Plus they’re all well connected to the crazy Brooklyn creatives: Werdink did a screenprinting truck for the first three Lost Horizon Night Markets and shares tips with Bushwick Print Lab; Krisstina pals around with one of the girls from House of Yes and Lady Circus who started Make Fun; their space is literally downstairs from Shea Stadium.

Scroll down to hear more from these awesome people!
[all photos in this post by Alix Piorun]

shea stadium

oriana on 16 May ’11

neighborhood: east williamsburg | space type: music space | active since: 2009 | links: website, facebook

There is something magical about the little corner of East Williamsburg south of Grand Street and east of Bushwick Ave. Within just a few blocks you have 3rd Ward, House of Yes, Werdink / Ninja Pyrate, the Acheron, Bushwick Project for the Arts, Paper Box, and Shea Stadium. Plus the Anchored Inn, Yummus Hummus, Main Drag Music, a slew of other factories and art spaces, and who even knows what else. Brooklyn creativity is dense all over, but even so, that’s quite a little group.

DJ Unicornicopia, photo by me

I live ten minutes from the whole cluster, but embarrassingly, I’d never been to Shea Stadium before. It’s a really nice space, roomy and welcoming, with some good beat-up couches and a great terrace. As with most DIY Brooklyn venues, Todd P has thrown shows here. My friend’s band Krallice has played here—that’s them in the big picture at the top of the post.

I interviewed Adam, who started the space, and then I stayed for a quirky cool show, with Pam Finch, Duncan Malachock, and DJ Unicornicopia.

Demander, from Konstantin Sergeyev's Flickr

brooklyn spaces: Give me a quick history of the space?
Adam: We moved in here July 1, 2009, and we had our first show on July 4th. That show was a lot of fun, because we hadn’t done anything in terms of building out the space; we just plugged PA speakers into the walls and went for it. There was no stage, nothing. People were dancing and these enormous clouds of sawdust were getting kicked up. After that we took a week or two to just put up walls. It’s a slow process: you add this, you add that. It’s always a work in progress.

Fiasco, from Brooklyn Vegan

brooklyn spaces: How many people are involved in making this happen?
Adam: The main people are me and my friend Sean, who was with me from the beginning, and Nora. My friends in the band So So Glows all live here and help out with the shows, and we have a revolving door of some other really cool people who help out. Nora actually started as an intern, but it was clear from the beginning that she was going to become more than that very quickly. She just was really hungry, and she had the right attitude and the right ideas.

photo by me

brooklyn spaces: Tell me about the live archives.
Adam: The live archives was sort of the impetus behind the space. I work in music—I’m a producer, engineer, and musician—and I always wanted to open up some sort of space, but I felt like the last thing this area needed was another recording studio. Plus I wanted to do something a little less sterile and a little more fun and interactive. So I was like, “Let’s start throwing shows and I’ll record them, and we’ll build up this massive archive of performances.” I think at this point I have about 1,400 sets.
brooklyn spaces: What’s the goal? Just to amass a huge amount of recorded live music?

Worrier, from Konstantin Sergeyev's Flickr

Adam: Yeah. I think that in ten, twenty years, what’s happening in this area is something people are going to want to know about, and it’s nice to be able to capture it. When we first launched the site, I was getting letters from people who live in Alabama, Kentucky, Australia, New Zealand, saying, “It’s logistically impossible for us to get to New York and see these bands that we love, but through your archives, we can connect.”

brooklyn spaces: Is there an overarching kind of music you aim for?
Adam: If we like it, we book it. It’s really that simple. The stuff we have is all over the map. And it’s a pretty healthy mix of local bands and touring bands and bands from other countries.

Jefferson High, photo from Impose Magazine

brooklyn spaces: What’s your relationship like with the community?
Adam: I have a pretty good relationship with all of our neighbors, especially our landlords next door. They’re from Lebanon, and they’ve been here since the seventies. They used to own all of Meadow Street, from Morgan to Waterbury. Every single building. Now they’re down to only two or three, and they run a furniture business across the street, Mona Liza Fine Furniture. Gorgeous, gorgeous stuff. They were sort of the pioneers of the neighborhood; they came when it was just junkyards and tire fires and gang violence. And they’re the coolest. When the weather gets nice, they bring a big table out onto the sidewalk and cook dinner for everybody. It’s like old-school New York. And they’ve been nothing but supportive of us. It wouldn’t be possible to do what we do if they weren’t so cool.
brooklyn spaces: Do they come to the shows?
Adam: Sometimes, but usually they don’t stick around very long. What happens more often is people at the shows will go over there, because they’re outside all the time, hanging out, smoking hookah, cooking. People wander over and hang out all night, getting drunk with the landlords.

photo by me

brooklyn spaces: Was this neighborhood in particular a place you wanted to be?
Adam: I didn’t know too much about the neighborhood before we moved in. I grew up in Bay Ridge, and I’ve lived in Brooklyn for the majority of my life, but this neighborhood was one of the few in the borough that I really wasn’t very familiar with. I’m happy that we landed here because this is really a great, great neighborhood. And I think it’ll continue to get better, unfortunately probably to a point that will prohibit us from being able to keep doing what we do, but that’s part of the cycle. Eventually your time comes and you have to reevaluate and figure out a different path. This neighborhood is changing rapidly, and we’ll just see what happens.

Fresh and Onlys, from The Owl Mag

brooklyn spaces: It’s true; even in the last five years, it’s become completely different.
Adam: Totally. It’s such a strange neighborhood, because it’s so close to the things you want to be close to, and kind of far from the things you want to be far away from. You have privacy, you have space, and there aren’t many public businesses around, so you don’t have noise complaints. It’s completely amazing to be three blocks from the L train and not have to worry about noise complaints. I don’t really think that’s possible anywhere else. You basically have the keys to do what you want, and in Brooklyn in 2011, that’s so rare. These few blocks might be the final frontier.

brooklyn spaces: What are your goals for the future of the space?
Adam: Really just to keep doing what we’re doing for as long as possible. I know it’s not going to last forever, so I want to enjoy it while we can.

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Like this? Read about other music spaces: Silent Barn, Death By Audio, Fort Useless, 285 Kent, Newsonic, Bushwick Music Studios, Monster Island

3rd ward

oriana on 16 Feb ’11

neighborhood: east williamsburg | space type: skillshare | active since: 2005 | links: website, facebook, twitter

Update October 2013: The story is still coming to light, but as of October 9th, 3rd Ward is closed, with the owner having absconded seemingly in the middle of the night with no warning, leaving members, teachers, and small businesses that run out of the space completely in the lurch. The story was broken by the New York Observer here, and there has been an outpouring of frustrated rage since then.

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3rd Ward is kind of a no-brainer, since it’s a wildly popular, well-publicized space, but as a pioneering skillshare, community, and event space, they definitely warrant covering here. And it’s an incredible place, with so much to offer. There’s no interview in this post, but please click through to learn all about this fabulous space!

3rd Ward is primarily a skillshare, and while membership isn’t cheap, it comes with great perks (a free bike!) and access to a whole host of facilities. (Non-members can also access many of the offerings, but it costs more.)

Their facilities include massive metal shop, a wood shop, a jewelry studio, and a textile studio. They’ve also got a bicycle shop that is available for drop-ins, a cavernous gallery space with rotating exhibits, and several studios for events. Plus they offer a vast array of classes, in everything from digital media to welding to pottery.

They also do tons of events, including myriad gallery shows, live drawing events, music performances, presentations, crazy parties, craft fairs, fundraisers, festivals, and so much more.

It’s a terrific gathering place, and has something awesome happening basically all the time.

Also check out this great interview (not done by me) with 3rd Ward’s co-founder.

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Like this? Read about other skillshares: Pioneer Works, Time’s Up, Urbanglass, Brooklyn Brainery, Arch P&D, Bushwick Print Lab, Gowanus Print Lab, Ger-Nis, Exapno

trees not trash

oriana on 20 Jan ’11

photos by Maximus Comissar

neighborhood: East Williamsburg / Bushwick | space type: community space; guerilla garden | active since: 2004 | link: website, facebook

Who says a space has to be enclosed by four walls, or even have a roof? Trees Not Trash is a guerilla gardening group run by Kate and Cory, a wife and husband team, who are two of the nicest, most dedicated people I’ve ever met. Over the past seven years they’ve appropriated four abandoned outdoor spaces, working to turn plots of land that were hideously overgrown or dense with years of garbage into lovely community gardens and urban oases.

They’ve also requested and received over two thousand trees from the NYC Parks Department, which have been planted throughout Bushwick, and they’ve further beautified neighborhood blocks with dozens of planters that they made from found tires and wood. Kate and Cory involve volunteers throughout the community, including hipsters, of course, but also many neighborhood children, to whom they teach the fundamentals of gardening, often sending the kids home with fresh herbs and vegetables.

brooklyn spaces: Give me a run-down of the spaces.
Kate: There’s four: the little garden by the Morgan Ave L train stop, the big community garden on Bogart, the Jefferson Street garden, and the new one at the Bushwick Library.

brooklyn spaces: What inspired you to start this project?
Kate: We’d been working with the city to get trees put in for awhile, and we’d been thinking about the abandoned lot on McKibben Street. Then someone contacted me and said, “Hey, I rescued these four evergreen shrubs. Can you help me plant them?” I was like, “Yes! We need to do this garden now.” So we climbed over the fence and just started pulling weeds and digging up the soil. It was dirty, dirty, nasty work. The weeds there were taller than most people. We went in there with machetes and did the jungle thing.

brooklyn spaces: Were you worried about getting in trouble?
Kate: I made the assumption that everybody was going to be in support of what I was doing. I figured it would be very difficult to tell somebody not to clean up garbage and plant trees and flowers. I just wanted to improve the neighborhood I was living in. I think that’s one of the things guerilla gardening is all about.

brooklyn spaces: Was it hard to get people in the neighborhood involved?
Kate: We had this incredible group of people who would dedicate their entire Sunday to getting really disgusting and dirty. Even on days when we were going to be touching twenty-year-old garbage, everybody was like, “Yeah, I want to do that!” This is where you live, you know? It was like-minded people coming together and doing something,

brooklyn spaces: How about local kids?
Kate: The Jefferson Street garden became their hangout. All of the kids adopted a tree, and they totally made that garden their own. It’s their stomping ground. Every Sunday at 1:00, there’s kids banging on our door, wanting to plant and stuff, saying, “When are we gardening today?” We grow food there, which was huge for them, because none of them had ever grown food before.

brooklyn spaces: What kind of events do you have in the spaces?
Kate: At the library garden we’re working on doing a reading series, where it’s really beautiful and shady. We’ve really made a little oasis there, at that terrible intersection. Bushwick and Seigel is so oppressive. It’s hot, tons of traffic, no respite from anything, and with projects all around. Which is actually cool, because as we’re working, people from the projects can see what we’re doing, that this revolting little space that was strewn with garbage and filled with rats is now turning into this oasis, and they can go and sit in it. At the community garden, we’ve had garden parties where dressing up is required, and we play badminton and things. We make big pitchers of Pimm’s cocktails, using stuff from the garden, like cucumbers and lavender. We actually got married in that garden.

brooklyn spaces: Did you set out to be a guerilla gardener?
Kate: No, I didn’t really have any idea of it being guerilla gardening when I started. It was selfish as well as community-minded. I really wanted trees, and I wanted other people to want trees. But I never really had a plan, like, “I’m going to wear a bandanna and do this in the dead of night.” It just became that way.

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Like this? Read about other community spaces: Bushwick City Farms, #OccupyWallStreet art show, Trinity Project, Time’s Up, Brooklyn Free Store, Body Actualized Center, No-Space

bushwick project for the arts

oriana on 3 Jan ’11

photos in this post by Rachel Lefkowitz

neighborhood: east williamsburg | space type: art & event space | active: 2009–2011 | link: website

Update May 2011. As many know, Bushwick Project for the Arts was also an experiment in radical living environments: all the artists were housed in reclaimed trailers. Though the trailers were meant to be kept under wraps, it became something of an open secret within the artistic community—and the legal one. As was perhaps inevitable, BPA became a target of local law enforcement, and was shut down this spring (in a pretty shitty way) by the city.

Don’t worry about the artists, though; they’re still at it, elsewhere in Brooklyn, coming up with plenty more crazy ideas for repurposing their space, and throwing great shows and parties while they’re at it.

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The Bushwick Project for the Arts—affectionately (and often pejoratively) known as the Bushwick Trailer Park—is a collective of mostly visual artists, housed in a former nut-roasting factory in an industrial corner of East Williamsburg. The cavernous interior space—an ever-changing work in progress—is used for all different kinds of events, including parties, plays, film screenings, classes, art exhibits, and more. Tucked into corners are a silkscreening studio, a metal and wood shop, a ceramic studio, and even a couple of kilns.

Bushwick Project for the Arts is around the corner from Shea Stadium, Werdink / Ninja Pyrate, 3rd Ward, The Archeron (which used to be Bushwick Music Studios), and House of Yes, among other great spaces.

Like this? Read about more art collectives: Swimming Cities, The Schoolhouse, Monster Island, Hive NYC, Silent Barn