hive nyc

neighborhood: bushwick | space type: art collective | active since: 2011 | links: website, facebook, twitter

During this year’s Bushwick Open Studios, I had an ambitious roster of spaces to hit, and by a fortuitous chance, one of those was Hive NYC, a nonprofit multidisciplinary art space that is home to a collective of musicians, visual artists, writers, actors, photographers, and aerialists. There was fantastic art on display, by Jewel LimTamar Meir, Our Guy, Sigal Arad Inbar, and Fumie Eshii. And the artists who were there—Yula, Isaac, Kate, and Melanie—were just amazingly warm and welcoming.

Yula, Isaac, Kate, and Melanie, photo by Maximus Comissar

They showed us all around the space, then brought out a lovely little impromptu lunch: salad and couscous, hummus and boiled eggs, avocados and cheese and coffee. They were bubbling over with excitement about their space, their projects, their bands, and the life they’re making for themselves. In addition to art and music, they have plas to green their home with a rooftop garden, compost, a water accumulation system, and doing more buiding with salvaged and reused materials. They even have their own living metaphor: an actual beehive on the roof.

photo by Maximus Comissar

brooklyn spaces: How did the space get started?
Kate: There was a group of us all playing music together, and we were all into different forms of art as well, like I write, Isaac does theatre productions, we have a saw-player who paints, our trombone player is working on a rooftop garden, stuff like that. So the idea was just to bring in as many people as possible and give them a place to create whatever they wanted to create.

photo by Alix Piorun

brooklyn spaces: How did you find the space?
Yula: It was so amazing, it happened really fast. About a year ago, I told a friend, “What I want is to have a little sanctuary for the people I know and love, so they could do whatever they want to do.” And in no more than a year, the Hive started coming together. All these people started being drawn in, our friends brought more friends, and each one of them were geniuses in their little ways. So we were like, “Okay, we need a home.” And a month later, I found this place on Craigslist. Isaac came here, and he was like, “It’s amazing. It’s amazing. It’s amazing!” The landlords are awesome, they’re artists, they said, “As long as you don’t burn the place down, you can do anything you want.” And so we moved in and started doing things. It’s a lot of hard work, but it’s also really rewarding and fun.

photo by Maximus Comissar

brooklyn spaces: What was the last show you had?
Yula: We had a show last night, and our band The eXtended Family played with Dolchnakov Brigade. There were so many people here, it was ridiculous.
Kate: It was so overwhelmingly positive too, everyone was just having a great time. I think there’s a mutual understanding that this isn’t a club, this is a place where people live. We had so many people dancing, and all this artwork all around, and nothing got disturbed, there were no problems at all, there was just a really beautiful, positive energy.

Yula and the eXtended Family, photo from streetcredmusic

brooklyn spaces: What are some of the other projects people here do?
Yula: The eXtended Family is the heart, it’s all of us. The music is very eclectic. We call it ro-punk, romantic punk, but you can’t really define it, it’s a mix of a lot of shit thrown together with a kind of punchy attitude, but in a positive way. And then Dolchnakov Brigade is just like a megalomaniac onion, an underdog-ish, fascist kick in the face. There are several other bands who work with us too, there’s Crooks & Perverts, Gato Loco, This Way to the Egress, Torcher Chamber Ensemble.

photo by Maximus Comissar

Kate: We have a website that features writers, artists, music, sustainability projects, and humor, as well as allowing members to barter for goods and services.
Yula: There’s also a Philly Hive. They’re doing events in a place called BookSpace, with aerialists and circus-ish type stuff and book readings and poetry.
Kate: One of our members is the editor of Helo: The Crisis Story Magazine. We’re also in the middle of a Kickstarter to try to raise money to get our roof garden off the ground, ha ha.
Yula: We have bees on our roof now. Thirty thousand little sweet bees! I never thought I would be so comfortable around so many bees. But you can be one foot away from this huge swarm, and they don’t bother you, they just mind their own business.
Kate: Didn’t you name them all Deborah?
Yula: Yes, Deborah the Hive. It’s one organism made of many little things, which is a perfect metaphor for us.

photo by Maximus Comissar

brooklyn spaces: Do you feel like Brooklyn has influenced the way you conceive the space, or do you think spaces like this are having an impact on the way that Brooklyn is right now?
Yula: I think the second. For us at least. You can do pretty much anything you want here if you respect everything else. And if you set that tone, people respond to it wonderfully. Little by little, if you just spread it slowly, you might be able to make a difference in a larger way. As soon as Bushwick Open Studios started and I started walking around the neighborhood, I was like, “We’re not the only people doing this!” It’s wonderful. We just need to make some connections and make this trust circle bigger, broader, and stronger, and then who knows what can happen? I’m hoping that this is just the beginning, that everybody’s going to pick up from this and just do more and more.
Kate: There’s been a pretty big snowball effect since we’ve started. We’ve been picking up more and more people and having a great time. This space has definitely come together very quickly.
Yula: If we can just continue to do what we do and enjoy it, that’s all we really want. Just don’t bother us doing it. World, don’t interfere. If you have any bad intentions, just stay out.

Like this? Read about more communal art spaces: The Schoolhouse, Swimming CitiesArch P&D, Silent BarnMonster Island, Flux FactoryBushwick Project for the Arts

gowanus ballroom

neighborhood: gowanus | space type: art & events | active since: 2010 | links: website, facebook

Gowanus Ballrooom is one of my very favorite spaces, one I can’t help updating and re-writing about again and again. (In fact, check out my article from their Fall 2011 show “Paint Works” on Gowanus Your Face Off!) The space, most of the time, is home to Serett Metalworks, but three or four times a year it gets transformed into a massive art spectacle. They’re doing so much to make a home for emerging and underground artists in New York, and every one of their shows is spectacular—and necessarily ambitious, given the sheer scope: the Ballroom is 16,000 square feet on two levels, with 50-foot ceilings. You have to slink down a super-sketchy dark alley on the canal to get to it, but oh, man, is it worth it.

The group shows feature outrageously great art from up to fifty  artists at a time, including huge metal sculptures, lush photographs, hyperreal paintings, abstract assemblages, quirky dioramas, stained-glass windows, woven cloth streamers, giant wooden installations you can climb around in, collages you can run your fingers through, intricate ink drawings, shifting projections, and more. Plus live entertainment! Aerialists like Seanna Sharpe (in her first performance since her stunt on the Williamsburg Bridge), fire dancers like Lady C and Flambeaux Fire, and of course bands, including Crooks & Perverts, Les Bicyclettes BlanchesApocalypse Five and Dime, Yula and the eXtended Family (from Hive NYC), and Morgan O’Kane, the absolute most phenomenal banjo player you’ve probably never heard (unless you ride the L train a lot). At the 2011 Art & Architecture Show, he played past 2 a.m., almost two hours of just the best music ever, and I haven’t seen so much foot-stomping, arm-flailing, whooping joy since… well, since the last time I saw Morgan play, I guess.

2011 Art & Architecture show

Crooks & Perverts, photo by Megan K O'Byrne

 

Q&A with Josh, the Ballroom’s founder, and Ursula, art show curator

brooklyn spaces: Give me a quick history of the space.
Josh: I run Serett Metalworks, and I moved the shop here a year ago from Nostrand Avenue. This is twice the space I need, but it was the bottom of the economy crash, and when I saw the space I knew that I would use it for other things besides metalwork. It’s a fucking beautiful shit hole, I love it. It doesn’t make sense for me to run a metal shop here, because you can’t heat it in the winter, there’s always water leaks, and it gets too hot in the summer. But we deal with it. We build weird art and architectures structures, so the people who work here, it kind of inspires them to do better work, to be happier about their job. That’s a big part of it, just the beauty of this insane old place. It used to be a steel mill, a boatyard, a cannonball factory, a chemical factory. The history here is ridiculous.

photo by me

brooklyn spaces: In the metal shop, is it all your projects? Do other people do their projects here too?
Josh: It’s mainly our shop where we fabricate our stuff, but I also work with all these different groups. Someone comes and says, “Hey man, I need lockdowns for this WTO protest, can you help me build them?” Or like Swimming Cities, a bunch of fucking hippies who are building pontoon boats they can collapse, ship to India, and sail five hundred miles down the Ganges River. How fucking cool is that? I want to support those fucking maniacs, because that is awesome.

photo by Ursula Viglietta

brooklyn spaces: What made you start doing art shows?
Josh: I always wanted the space to be dedicated to art and architecture and engineering, mostly because architects and engineers, their social life is so fucking boring. But it’s a really interesting group of people doing really interesting work, and I like the idea of art and architecture and engineering together, because there’s a lot of aspects of engineering and architecture that are art. So the idea was to have a space for all three. We did the first Art & Architecture show in early 2010. The whole thing was thrown together in two weeks, and it went real well. Then we did another one about six months later that was really successful and really fun. But I learned it’s a lot of fucking work putting on a show, it’s an insane amount of coordination, and the person who’s doing the coordination loses their mind not at the end, but halfway through.
Ursula: I stayed pretty sane.

Flambeaux Fire, photo by me

Josh: Yeah, I’m getting there. I’m just finishing the story. Anyway, it blew my mind how much work it was. So I was like, all right, if our next show is going to be twice as big, it’s going to be a major ordeal. So I asked Ursula to get involved, and she came in and took the steering wheel, coordinating, organizing, categorizing, social working, all this stuff that has to come with an intense art show. And it was a great move, she really handled the stress well. There’s a lot of fucking stress involved. We pick people who do great art, but when you do that, you’re going to be dealing with some characters. That’s where the social-working aspect comes in.
Ursula: I’m actually training to become a social worker, so it worked out well. I think my background is just the right balance of art and psychology. It was a challenge and it was fun. I like doing really difficult things. If I see something that looks like you can’t do it, I’m like, “Okay, let’s figure it out!” I met a lot of really great people, and it was pretty inspiring for me as an artist.

Morgan O'Kane, photo by me

brooklyn spaces: What happens to the metal shop during a show?
Josh: Believe it or not, moving the whole shop out of the way only takes three or four hours. And while the art show is up, we’re still fucking welding and grinding. All my guys love it. Setting up for this show, every single one of them came and worked fifteen, twenty hours for free, just because they loved it.
Ursula: Of course, they snuck their own artwork in as well. I’d come in and be like, “Where did that come from?”

photo by me

brooklyn spaces: How do you think Brooklyn affect a space like this, or how does a space like this affect the future of art in Brooklyn?
Josh: The beauty of the Gowanus Canal is that it’s now a Superfund site, and that means that 2,000 feet from the edge of the water, in any direction, you can’t build housing or food service of any type. So this area is going to be a great place for about ninety years. There’s always going to be this nice mix of industrial industry and art studios. It’s not going to be McKibben Street—puke my brains out.
Ursula: There’s also an artistic community here that’s a little bit hidden, so it’s a really nice spot to have a new exhibition space, because we’re not competing with what’s going on in Williamsburg or Chelsea. It’s a place for emerging artists to do what they want, and it’s huge. I mean, to be able to invite people who do the kind of large-scale installations that we had, and to tell them, literally: “You’ve got two weeks. Build something.” Not many places can do that. Especially when you’re dealing with artists who don’t have a name, and you’re just trusting them. So I think that’s something that we can offer to the neighborhood, and to the art community in general.
Josh: I started off working for Cooper Union, working with a lot of pretty big-name artists, and I was really turned off by the art world, how nasty it was, the money, everything was just politics and crap. This space is great because we can do it our way. We just fill it full of cool shit, and people fucking love it.

Lady C, photo by Megan K O'Byrne

brooklyn spaces: Do you have any advice for other people who want to take on a project like this?
Josh: Just call us. You got something crazy? You think you have schizophrenia? That’s beautiful. Call us. We like that.

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Like this? Read about more art & events spaces: Monster IslandBig Sky Works, Red Lotus Room, Gemini & Scorpio loftHouse of YesCave, Rubulad, Vaudeville Park, 12-turn-13Werdink / Ninja Pyrate