closed – Page 2 – brooklyn spaces

concrete utopia

oriana on 4 May ’11

neighborhood: williamsburg | space type: gallery | active: 2010–2011 | links: website, facebook

I love apartment galleries. I’m always struck by the neat intimacy of leaning on someone’s bed or sitting at their kitchen table while looking at art.

Experimental apartment gallery Concrete Utopia ran for a year, showcasing a diverse array of art in different media. The show “Spork Used as Knife” featured video art, photography, and installations. “I’m Not a Good Enough Feminist” was an ambitious undertaking that included twenty-four artists and a companion book of interviews, historical and contemporary texts, artistic pieces, and images.

all photos by Maximus Comissar

Q&A with Melanie, Concrete Utopia’s founder, director, and chief curator

brooklyn spaces: How did you pick the name?
Melanie: I was doing a curatorial fellowship in Philadelphia last year, and it came from one of these curatorial statements I was looking at when I was learning about different kinds of spaces around the world. It’s from a man named Ernst Bloch, the director of the MAK Center in Vienna, which is devoted to contemporary making and is a also museum, so it’s both art and design. They’re really devoted to not just showing things that are past, but making possibilities for new things to be made for museums, which is something I’m really interested in, giving people I love a reason to make things. I was seeing so much stagnation of so many people whose work I thought was amazing, and I wanted to encourage them to start making things again. So “concrete utopia” as I reformalize it is a perpetual state of being actualized, or deciding that utopia is where we are right now, it’s not something to be made in the future. It’s about being a certain age when you’re like, “Wait a second, I get to take life by the balls! How do I want to do that?”

brooklyn spaces: How many shows have you had?
Melanie: We had “MANIFEST-O” in October, and then we had a night of performance in November, “Food Party,” featuring a storyteller and the proverbial campfire, which was really sweet. And then we did “An-Architecture,” which was a collaboration with Recession Art, a young organization that does shows at the Invisible Dog. It was a two-person show with Caroline England and Ian Trask.

brooklyn spaces: How long does it take you to put a show together?
Melanie: It depends on the scope of the project. “An-Architecture” took three months. The storytelling show, since it was just a one-night event, was really a month or two. This show I put together in a month, although I should have given it more time. We’ve been working on “I’m Not a Good Enough Feminist” for a really long time now; we were planning on putting it up in January, and then March, and then at our first staff meeting—I am lucky enough to have some amazing, amazing, amazing women who decided to help me out—we realized we still needed more time for it. In the end that one is going to take almost six months to put together.

brooklyn spaces: Do the pieces stay up when the gallery isn’t open?
Melanie: Yeah, each show stays up pretty much until the next one. I’m really lucky because it’s kind of like I’m renting art for free.

brooklyn spaces: Why did you pick this neighborhood?
Melanie: When I moved back to New York, I said, “I’m not going to live in Williamsburg, I’m not going to live in Williamsburg, I’m not going to live in Williamsburg.” And then my best friend moved to Williamsburg, my brother moved to Williamsburg, my two other best friends moved to Williamsburg, and suddenly it was where everyone I knew was living. So it was a personal decision to move here, rather than a gallery decision, but it’s turned out to be a really good place to be.

brooklyn spaces: Do people in the building or in the neighborhood know there’s a gallery here? Is there any interaction?
Melanie: It’s a funny thing, and I think it’s a funny thing that’s inherent to any neighborhood that’s in the midst of this kind of gentrification: this building is half twenty-something hipsters and half Hispanic families. We have a nice relationship with the families, we all smile and say hi, but as much as I want to share what I’m doing, I’m nervous about pushing it into their lives. It’s a gallery, but it’s also often a party, you know? So that’s a difficult relationship that I’m learning how to navigate. We did finally start flyering in the neighborhood for this show, and the neighbors next door came to the walk-through we had last week. So that’s promising.

***

Like this? Read about more art galleries: Invisible Dog, Ugly Art Room, Central Booking, 950 Hart, Wondering Around Wandering, See.Me

newsonic loft

oriana on 15 Apr ’11

neighborhood: williamsburg | space type: music & parties | active: 2000–2011 | links: website

all photos by Maximus Comissar

Newsonic was terrific. It was way way out at the edge of South Williamsburg, virtually unmarked, and a complete shock when you walk in. Just an absolutely vibrant space, full of découpaged furniture and great art and twinkling lights and linked televisions playing crazy video montages and a bookshelf made from a hollowed-out Coke machine. It had a lovely chill vibe and good music and just incredibly nice people.

Over the years, it was inhabited by about twenty different people, primarily musicians and artists, and they just quietly threw amazing shows and parties for over a decade. With hardly any web presence, they were totally underground, spreading the word through NonsenseNYC and a handful of party lists. Check out my interview below with Brian and Seth Misterka, who was there from the beginning.

brooklyn spaces: Tell me a bit about the history of the space.
Seth: We found it in the back of the Village Voice classifieds, and it was just an empty warehouse. It was really a blank canvas; the landlord gave us totally free reign to create whatever we wanted to. My original partners were a fellow named Massa, who was working for Francis Ford Coppola as an assistant, and my friend Jeremy, who worked for MTV and played in bands, and I was working at Miramax and playing in bands. We were all musicians, and we were all involved in either film or television, so we built the space out to be a music venue from the start. It’s the perfect environment for music, because our neighbor on one side is an auto mechanic, the other is a grocery store, and below us is an office, so we can play music basically any time without bothering anybody. There could be a raging party in here with a hundred people or more, and from the street it’s as if nothing’s happening at all. So it’s like this little secluded artist colony in the middle of the industrial part of Chasidic Williamsburg, this really mystical neighborhood.

brooklyn spaces: Were you putting on shows from the very beginning?
Seth: From the very beginning. The space had a built-in stage from its days as a factory, so we framed it out and started throwing shows, and they immediately were so much fun and so successful that we just kept doing it.
Brian: In the three years I’ve been here, I’ve never been to a party where there hasn’t been just a completely good vibe all around. Everybody loves it here; it’s impossible not to enjoy the space. It brings out the best in people, it really does.
Seth: It’s kind of an out-of-the-way destination, it’s a place that you have to hear about it and then make a point of coming to, and so because it’s not the kind of space that you’d just be passing by, it gives it a kind of a special nature.

brooklyn spaces: So why are you guys moving out?
Seth: The landlord just wants to shuffle things around. It really reflects the broader change in the northern part of Williamsburg, with its expansion of real estate and population; that’s also happening down here. This building is going to be turned into offices. You know, money talks and the artists walk.

brooklyn spaces: But you’ve definitely nurtured a lot of artists through here.
Seth: Absolutely, yeah. There’s been so many different phases of the place, and everybody has brought a different vibe. We’ve found so many great, creative people over the years, and they’ve all contributed different things to the space, which has allowed it to take on the character it has. In addition to the parties, I’ve also had a recording studio here, and I’ve recorded all sorts of bands. My band is Dynasty Electric, and we’ve also recorded a lot of big indie bands from the 2000s, like Battles, Parts & Labor, Shy Child, and El Guapo, as well as a lot of jazz records.
Brian: Seth also recorded two records with Brian Chase from the Yeah Yeah Yeahs, and they’re planning on recording a third with a jazz duo they have, Brian Chase and Seth Misterka Duo.

brooklyn spaces: How would you describe the kinds of shows you put on?
Seth: Usually it’s a laboratory kind of show, with four or five bands and DJs. It’s a good platform for people to play, a good opportunity to play in a more relaxed environment and for a bigger crowd than would just be hanging out at the clubs.
Brian: Seth makes very eclectic picks. You’ll have a dance band, then you’ll have an indie band, then you’ll have a raga band, and then you’ll have these old guys who play for, like, what band was it?
Seth: One time the drummer from Saturday Night Live, his band came down.
Brian: And they had so many instruments! It was insane. There’s always a different atmosphere, a different thing, and it’s all connected into one night.
Seth: The thing with Newsonic—which is also the name of my record label—the idea has always been about the spectrum of sound, new sound, whatever it is, regardless of genre. Because I’ve been a working musician and have that access and connections to so many great musicians, the parties have become this secret party for musicians. Great musicians just want to come here and play, not for the money or whatever, but for the experience, just to be part of this energy that’s happening down here. We’ve always kept it on the lowdown because it was kind of amazing that we were able to throw parties for ten years without any trouble from the neighborhood or anything, and we didn’t want to jinx our run. But now that it’s ending, we just want to celebrate and show off the space while we have it, and to document it. We knew something cool was happening here, so we want to capture it like a time capsule and share it.

***

Like this? Read about more underground party spaces: Rubulad, Red Lotus Room, The Lab (Electric Warehouse), Bushwick Project for the Arts, 12-turn-13, Gemini & Scorpio loft

jerkhaus

oriana on 11 Mar ’11

neighborhood: sunset park | space type: music & living space | active: 2004–2011 | links: none (sorry!)

The Jerkhaus is an incredibly lived-in communal-housing and punk-show space. They’ve had almost sixty roommates over the seven years the house has been active, plus hundreds of crashers and couch-surfers and short- and long-term guests. Not to mention the bands that come through to play shows, and all the people who stop by for parties and gatherings of all kinds.

It’s housed in a fancy-looking brownstone, and in fact I was worried that I had the address wrong, until a couple of pierced boys with torn shirts let me in. It’s a terrific mess in there, full of bikes and records and ashtrays and posters and busted chandeliers and foam-leaking sofas and sagging stuffed animals and speakers and graffitied subway signs. It’s, in other words, an incredibly loved space.

Rudi and Kever, two of the Jerkhaus’s founders, were super nice and welcoming, and they chatted with me for a couple of hours.

brooklyn spaces: Tell me about the Jerkhaus.
Kever: Well, it’s a punk house in Brooklyn. Tons of people have stayed here. It’s like an old-fashioned step on a bum’s path, like a hobo travel point. There’s a sign with a little picture of a chick rocking out with a guitar, a dude with a bindle, some space cleared out on the floor.
Rudi: People stop by and say, “Someone who used to live here like three years ago said we could stay here.” When we moved in it was really cheap, and we had plenty of space for people to sleep on the floor. Right after we moved in, the RNC took place, and there were all these people nobody knew staying here. We had all this soundproofing foam from the people who lived here before us, so we just laid it out and had pretty much one floor as a giant bed.
K: I like the idea that we were housing people who were going to the RNC to fuck it up, to protest.
R: It was cool being a part of that. At that point I didn’t have much of a mind to protest, so I stayed home and gave people towels and directions to the beer store, or I called my roommate’s mom to be like, “Dave’s in jail again, just letting you know. Don’t worry, he’ll have a vegan sandwich when he gets out, thanks to the Anti-Capitalist Kitchen,” which is what Food Not Bombs was called then.

brooklyn spaces: Has there been trouble over the years? Has anybody come in and fucked shit up?
K: Yeah, there’s been pains in the ass, but nothing too crazy. There’s been no theft of property, to my knowledge. No violence, really. It hasn’t been bad enough that I think people should be afraid to have a house like this.

brooklyn spaces: Did you set out from the start to have a space like this?
K: Yeah. But our landlord and the neighbors are a big reason that it’s been able to go on for so long.
R: We’ve always paid rent, and there’s always been someone the landlord could go to and say, “Don’t let your friends sleep on the roof,” or “No live music. Have a party, but don’t have live music.” Of course we’ve had live music anyway, but if there wasn’t a complaint, it didn’t really matter.

brooklyn spaces: How about the running of the space, like buying toilet paper or cleaning the kitchen. Is it all collective?
K: It is all over the place. We had house meetings for a little while, but they were the worst fucking thing in the world.
R: It just kind of became whoever buys toilet paper buys toilet paper.
K: The pains and joys of communal living.
R: I’ve left many notes, but I gave up. I have a different outlook on it now than I used to.
K: You learn to expand your comfort zone.
R: It’s not a bad thing. You know when you walk into a room where there’s cigarette butts all over the floor and beer cans everywhere? That means someone had fun. Probably ten people had fun.
K: Beautiful, Rudi!

brooklyn spaces: What’s your relationship with the neighborhood and the community?
R: I’m very proud to be a punk kid who has lived in southern Brooklyn for a long-ass time. I didn’t move here because there was a cool café or a hip bar nearby. I’ve seen the neighborhood change a lot; there’s not a lot of hipster-driven stuff here yet, but it’s coming. I’m glad that I lived here when I did because I think I got a much better feel of living in Brooklyn, like Brooklyn Brooklyn, not just an offshoot of the Lower East Side. I don’t know if that’s an asshole thing to say, but it does give me a sense of pride. I’m also glad that I lived in a place that had so many people being creative, even if they were just making a zine or trying to change the world by not bathing. A lot of weird people have lived here and had a lot of unsavory professions and made a lot of weird art and music, and I’m glad that they had the space to do that.

brooklyn spaces: So why is the Jerkhaus ending?
K: Our landlord’s selling the place.
R: The building is in considerable disrepair. A couple of months ago we were having toilet trouble, and when the landlord and the repair guy came in, they were like, “We have to fix the toilet right now because the floor is rotting out under it, and if someone sits on the toilet, it might fall through the floor.” The place was cheap when we moved in because the building was not in the best condition, and we obviously didn’t care. We just keep paying rent anyway. We’ve had bedbug infestations and all this other stuff, and the landlord has just been like, “Well, tough noogies. You’ve got horrible roommates.”
K: Right after we moved in, one of our roommates was like, “Hey guys, look what I found! Just lying in the street!” It was a mattress. So from the beginning of the whole thing we had bedbugs.
R: At the time you had to go to Washington Heights to get bedbug-specific killer, because bedbugs weren’t such an epidemic yet. Of course, since then, everyone and their mother has them.

brooklyn spaces: So you’re saying you had them before they were cool?
R: Pretty much, yeah. We pretty much started the trend.

brooklyn spaces: Is anyone going on from this to create the next incarnation of the Jerkhaus?
K: Fuck no. Others because they don’t have the ambition, and Rudi and I because we’ve already gotten all the love and joy we can get out of this place. We sucked it all right out. The burnout rate in this job is pretty high. I’m surprised I held it for as long as I did.
R: You’re the patron saint of Jerkhaus!
K: I’m the biggest jerk!

***

Like this? Read about other communal living spaces: Hive NYC, Treehaus, Dead Herring

3rd ward

oriana on 16 Feb ’11

neighborhood: east williamsburg | space type: skillshare | active since: 2005 | links: website, facebook, twitter

Update October 2013: The story is still coming to light, but as of October 9th, 3rd Ward is closed, with the owner having absconded seemingly in the middle of the night with no warning, leaving members, teachers, and small businesses that run out of the space completely in the lurch. The story was broken by the New York Observer here, and there has been an outpouring of frustrated rage since then.

***

3rd Ward is kind of a no-brainer, since it’s a wildly popular, well-publicized space, but as a pioneering skillshare, community, and event space, they definitely warrant covering here. And it’s an incredible place, with so much to offer. There’s no interview in this post, but please click through to learn all about this fabulous space!

3rd Ward is primarily a skillshare, and while membership isn’t cheap, it comes with great perks (a free bike!) and access to a whole host of facilities. (Non-members can also access many of the offerings, but it costs more.)

Their facilities include massive metal shop, a wood shop, a jewelry studio, and a textile studio. They’ve also got a bicycle shop that is available for drop-ins, a cavernous gallery space with rotating exhibits, and several studios for events. Plus they offer a vast array of classes, in everything from digital media to welding to pottery.

They also do tons of events, including myriad gallery shows, live drawing events, music performances, presentations, crazy parties, craft fairs, fundraisers, festivals, and so much more.

It’s a terrific gathering place, and has something awesome happening basically all the time.

Also check out this great interview (not done by me) with 3rd Ward’s co-founder.

***

Like this? Read about other skillshares: Pioneer Works, Time’s Up, Urbanglass, Brooklyn Brainery, Arch P&D, Bushwick Print Lab, Gowanus Print Lab, Ger-Nis, Exapno

bushwick project for the arts

oriana on 3 Jan ’11

photos in this post by Rachel Lefkowitz

neighborhood: east williamsburg | space type: art & event space | active: 2009–2011 | link: website

Update May 2011. As many know, Bushwick Project for the Arts was also an experiment in radical living environments: all the artists were housed in reclaimed trailers. Though the trailers were meant to be kept under wraps, it became something of an open secret within the artistic community—and the legal one. As was perhaps inevitable, BPA became a target of local law enforcement, and was shut down this spring (in a pretty shitty way) by the city.

Don’t worry about the artists, though; they’re still at it, elsewhere in Brooklyn, coming up with plenty more crazy ideas for repurposing their space, and throwing great shows and parties while they’re at it.

***

The Bushwick Project for the Arts—affectionately (and often pejoratively) known as the Bushwick Trailer Park—is a collective of mostly visual artists, housed in a former nut-roasting factory in an industrial corner of East Williamsburg. The cavernous interior space—an ever-changing work in progress—is used for all different kinds of events, including parties, plays, film screenings, classes, art exhibits, and more. Tucked into corners are a silkscreening studio, a metal and wood shop, a ceramic studio, and even a couple of kilns.

Bushwick Project for the Arts is around the corner from Shea Stadium, Werdink / Ninja Pyrate, 3rd Ward, The Archeron (which used to be Bushwick Music Studios), and House of Yes, among other great spaces.

Like this? Read about more art collectives: Swimming Cities, The Schoolhouse, Monster Island, Hive NYC, Silent Barn

the brooklyn free store

oriana on 3 Jan ’11

neighborhood: bed-stuy | space type: community space | active: 2009–2011 | links: facebook, twitter, tumblr

update: I am really sad to add an update on the closing of this terrific space. In March of 2011, the Brooklyn Free Store—along with the apartment building next door—were burned down. Arson is strongly suspected. The New York Times has an article about the blaze, and kind souls wishing to can donate to the group’s efforts to rebuild.

****

Started by a diverse group of anarchists and activists, the Brooklyn Free Store is an alternative to capitalism. In an abandoned Bed-Stuy lot, the group has assembled a cornucopia of cast-offs, including clothes, books, jewelry, furniture, tools, toys, and more, all gifted by the community. The Free Store is never closed, so anyone can take or leave anything, anytime.

The Brooklyn Free Store at its grand opening, 8/09/10, photo by Alex Maubrey

The Free Store also hosts events, including movie screenings, music performances, and skillshares, which always feature dumpstered snacks for all. The space got a lot of media attention in the few months it’s been active, including articles in the New York Times, the New York Daily News, The Awl, and the Brooklyn Paper.

Due to the results of recent unkind weather, the Free Store has been taking steps to make the space more permanent. They’ve held several “roof-raising” days, and the new structure looks amazing.

photo by Erica Sackin

Q&A with Laurel, one of the founding members of the Free Store

brooklyn spaces: What made you guys start this project?
Laurel: I think everyone had different and overlapping motives. The Free Store is about environmental issues because it reduces waste. It’s about mutual aid and building community because everything is free and the store is open to anyone and everyone. It’s about anti-capitalism because there’s no money involved. It’s about anarchism because no one is in charge. This may sound like a contradiction, but it’s also about leadership, because everyone is invited to take on any aspect of the project—we don’t seek a world without leaders, we seek a world full of leaders.

brooklyn spaces: What made you want to get involved?
Laurel: To me the Free Store is a proactive positive solution to some of the things I dislike about our society. It’s a participatory example of one alternative to capitalism, a gift economy. We shy away from terms like “donation” or “barter” or “trade”; a gift economy means giving what you have to give, and taking whatever you want or need. On paper this may seem problematic, because the assumption is that people are greedy and will just take and take, but as we’ve seen over the last few months with this project, that’s not the case at all. There’s never a lack of new items in the space.

brooklyn spaces: What has been the response from the community?
Laurel: Better than we could have imagined! This is an anarchist project, so we didn’t want to be “in charge.” And the neighbors immediately embraced the Free Store as their own. People come and tidy up, take out the trash, decide what should be put where and what should be discarded. I often hear people saying that the neighborhood feels much better now that the free store is here. Even the guy who technically owns the land has been by to say what a great thing we’re doing.

brooklyn spaces: So does the space run itself?
Laurel: For the most part it does. For the day-to-day maintenance, my friends and I don’t have to do much of anything, unless we feel like it. But for larger issues, we do sometimes need to step in. When the “roof” (which was just a tarp) collapsed during the blizzard, it was clear that there was a major problem that was bigger than an individual could or would fix. So we got a group together to come in and build a permanent structure out of wood from pallets that were gifted to us by Home Depot. More than a dozen of us came out in the freezing snow for the “roof raising,” and several more people we didn’t even know came in off the street to help, motivated only by their common belief in the project, which was a really empowering thing. This whole project has been extremely educational and personally fulfilling, watching my philosophies come to life, and it gives me great hope for humanity and the future.

***

Like this? Read about more activist spaces: No-Space, #OccupyWallStreet art show, Time’s Up, Trinity Project, Trees Not Trash, Books Through Bars, Boswyck Farms, Bushwick City Farms, Film Biz Recycling

bushwick music studios

oriana on 3 Jan ’11

neighborhood: east williamsburg | space type: music venue | active: 2009–2010 | links: myspace, facebook

Bushwick Music Studios was an underground music venue in the heart of the East Williamsburg Industrial Park. It was totally unfussy—just a tiny bright blue windowless room in a nondescript warehouse, with a handmade balcony for the soundboard, DIY lighting, and a makeshift bar selling Four Loko and PBR. But during its yearlong run, it became one of the staples of Brooklyn’s underground music scene, packing in over a hundred sweaty kids on most nights. BMS’s early shows were block-wide, all-night affairs, with music blasting from several adjacent unoccupied warehouses.